K-pop Events Market By Type (Rock, Jazz, Pop, Others), By Revenue Source (Tickets, Sponserships, Others), By Gender (Male, Female): Global Opportunity Analysis and Industry Forecast, 2021-2031

K-pop Events Market

Several distinct musical genres and aspects fall under the banner of K-pop. It also includes Korean rock, hip-hop, and electronic music and Korean pop music. K-pop is regarded as a relatively new genre of music. According to financial statistics released in 2021, well-known K-pop companies saw a strong increase in their overseas revenues in the first half of the year as the number and power of fans who are stationed abroad increased to the point where they may influence local music charts.  

K-pop events have built a large fan base worldwide. The K-pop events companies are intensively focusing on marketing and creating interest among the consumers. K-pop event management companies dominate social media platforms such as YouTube, Instagram, Twitter, and Facebook. Moreover, strong economic growth in Europe and Asia-Pacific owing to rapid industrialization has resulted in a significant rise in personal disposable income of the consumers. High consumer spending on entertainment, especially among young consumers, is expected to boost the growth of the global K-pop events market.

The recent decline in recorded music sales has increased demand for live music performances, which has greatly aided the expansion of the worldwide music event sector such as K-pop events. Also, the rise in music tourism activities among spectators and artists has fueled the expansion of the K-pop event industry. The sponsorship income of music events is rising because of increased investments made by several startups and established large organizations to increase the visibility of their brands.

The desire for rock and pop music is also being fueled by the large youth population in developing nations and the growing impact of Western culture in these nations' economies. The market for K-pop events is expanding rapidly due to the popularity of numerous genres as well as rising stars in the world of music. The rise in youth employment, particularly among women, is increasing consumer disposable income, which is anticipated to be one of the key drivers of the K-pop event sector.

Live music is a multinational industry. According to the International Federation of the Phonographic Industry (IFPI), the live music industry was valued at around $28.0 billion in 2021. Live music has become very important for the livelihood of musicians and artists owing to the downturn in the sales of recorded music globally in the past few years. Therefore, artists and musicians are heavily relying on conducting live performances through music events.

Live performances of an artist further provide opportunity to various individuals in the value chain of live music such as artist managers, agent/promoters, ticket booking companies, and venue managers. With rise in the number of K-pop, and live music concerts and gigs around the world, the K-pop events industry has gained rapid traction among consumers globally. According to Live Nation Entertainment, a leading player in the music event market, ticket sales are up by 45% and the concert pipeline is up by 30% in 2022. The burgeoning sales of live concerts are expected to drive the growth of the global K-pop events market during the forecast period.

However, various government policy changes and reforms especially in developing economies may hamper the K-pop events business. For instance, demonetization and the introduction of new Goods and Services Tax (GST) policies hampered most of the businesses in India temporarily for a couple of years. Furthermore, the General Data Protection Regulation (GDPR) by the European Union came into force in May 2018. This EU directive is supported by the British Government and this law is expected to have a significant impact on the music event market, especially in Europe. This regulation is expected to change the decisions of the K-pop and other music event planners regarding the data that were collected previously from the attendees and make organizers more conscious regarding the attendees’ data security. Moreover, planners used the data collected from the attendees for marketing and personalization of their services. These event planners need to strictly comply with the new GDPR regulations failing which may cost them big fines. Therefore, increased focus on data privacy and data security pertaining to the GDPR law may present a challenge for the K-pop event organizers.

According to the top CXOs, the K-pop events will be one of the major drivers of the music event industry. Leading organizers are focusing on customer satisfaction and are coming up with various mobile applications to offer improved accessibility and convenience to the customers. Moreover, they are offering tickets along with the merchandise and accommodation to the consumers. Furthermore, event organizers are partnering with the online ticket providers as most of the youth are using their smartphones to book tickets for music events.

The government's increased investments in infrastructure development and connectivity are also anticipated to have a significant impact on the market for K-pop concerts. The governments of the emerging nations in the Middle East, Africa, and Asia-Pacific are making investments in the construction of roads, trains, and other forms of connection. Also, when 5G technology becomes more widely used, more people will use digital platforms to purchase tickets, place food orders, and reserve hotel rooms at music events.

The K-pop events market is segmented into type, revenue source, gender, and region. By type, the market is divided into rock, jazz, pop, and others. Depending on the gender, it is divided into male and female. By revenue source, the market is divided into tickets, sponsorships, and others. Region wise, it is analyzed across North America, Europe, Asia-Pacific, and LAMEA.

The key players analyzed in the report are Live Company Group plc., PK-UK Events Limited, SubKulture Entertainment, Filmmaster Group, CJ Co., Ltd., JYP Entertainment Co. Ltd, SM Entertainment Group, YG Entertainment Inc., Eventbrite, Inc., and HYBE Co., Ltd.

 

Key Market Insights

By type, jazz segment accounted for the highest market share in 2021, growing at a CAGR of 7.2% from 2022 to 2031.

By revenue source, tickets segment accounted for the highest market share in 2021, growing at a CAGR of 7.1% from 2022 to 2031.

By gender, male accounted for the highest market share in 2021, growing at a CAGR of 6.8% from 2022 to 2031.

By region, North America occupied the maximum share of the market in 2021 and is expected to be the dominating segment during the K-pop Events market forecast period.

Overview

The global k-pop events market was valued at $8.1 billion in 2021, and is projected to reach $20 billion by 2031, growing at a CAGR of 7.3% from 2022 to 2031.Several distinct Korean musical genres and aspects fall under the banner of K-pop. It also includes Korean rock, hip-hop, and electronic music in addition to Korean pop music. K-pop is regarded as a relatively new genre of music. According to financial statistics released in 2021, well-known K-pop companies saw a strong increase in their overseas revenues in the first half of the year as the number and power of fans who are stationed abroad increased to the point where they may influence local music charts.

Any special event featuring Korean pop musical performances—including singing and playing instruments—is referred to as a "K-pop event." These events are typically themed around different musical genres, locations where the musicians are from, and nationalities. Popular examples of music events include music performances, concerts, and music festivals. The K-pop event market scope includes segmentation based on type, revenue source, gender, and region for analytical purposes.

The government's increased investments in infrastructure development and connectivity are also anticipated to have a significant impact on the market for K-pop concerts. The governments of the emerging nations in the Middle East, Africa, and Asia-Pacific are making investments in the construction of roads, trains, and other forms of connection. Also, when 5G technology becomes more widely used, more people will use digital platforms to purchase tickets, place food orders, and reserve hotel rooms at music events.

These developments will significantly boost music tourism and facilitate the overall development of the K-pop events industry. Music tourism is an upcoming trend in emerging markets such as Asia-Pacific. However, privacy and data security concerns associated with use of online platforms or online ticket vendors is a major challenge.

Organizing a K-pop event involves multiple expenses, which include on-site expenses, venue costs, event rentals, and production expenses. On-site expenditures involve fees and cost charged by the event venue, which incur more cost. In addition, venue cost includes security deposit, room rental, insurance coverage, and parking. Another major cost involved in organizing a K-pop event is the production cost, involving expense of organizing the event, management of administrative elements, and attracting attendees. Thus, high operational cost involved in organizing music events is a key factor that hampers the growth of the global K-pop event market.

The K-pop events market is segmented into type, revenue source, gender, and region. By type, the market is divided into rock, jazz, pop, and others. Depending on the gender, it is divided into male and female. By revenue source, the market is divided into tickets, sponsorships, and others. Region wise, it is analyzed across North America, Europe, Asia-Pacific, and LAMEA.

The report highlights numerous factors that influence the growth of the global music event market. This report further outlines the current trends and key areas of investment. In addition, it includes Porter’s five forces analysis to understand the competitive scenario of the industry and role of each stakeholder. The report features the strategies adopted by key market players to maintain their foothold in the market. Furthermore, it highlights the competitive landscape of the key market players to increase their market share and sustain intense competition in the industry.

The key players analyzed in the report are Live Company Group plc., PK-UK Events Limited, SubKulture Entertainment, Filmmaster Group, CJ Co., Ltd., JYP Entertainment Co. Ltd, SM Entertainment Group, YG Entertainment Inc., Eventbrite, Inc., and HYBE Co., Ltd.

The government's increased investments in infrastructure development and connectivity are also anticipated to have a significant impact on the market for music events. The governments of the emerging nations in the Middle East, Africa, and Asia-Pacific are making investments in the construction of roads, trains, and other forms of connection.

 

K-pop Events Market Segments

Key Benefits For Stakeholders

●This report provides a quantitative analysis of the market segments, current trends, estimations, and dynamics of the k-pop events market analysis from 2021 to 2031 to identify the prevailing k-pop events market opportunities.

●The market research is offered along with information related to key drivers, restraints, and opportunities.

●Porter's five forces analysis highlights the potency of buyers and suppliers to enable stakeholders make profit-oriented business decisions and strengthen their supplier-buyer network.

●In-depth analysis of the k-pop events market segmentation assists to determine the prevailing market opportunities.

●Major countries in each region are mapped according to their revenue contribution to the global market.

●Market player positioning facilitates benchmarking and provides a clear understanding of the present position of the market players.

●The report includes the analysis of the regional as well as global k-pop events market trends, key players, market segments, application areas, and market growth strategies.

Key Market Segments

○ HYBE Co., Ltd

Scope of K-pop Events Market Report

1.1. Report description

1.2. Key market segments

1.3. Key benefits to the stakeholders

1.4. Research Methodology

1.4.1. Primary research

1.4.2. Secondary research

1.4.3. Analyst tools and models

2.1. CXO Perspective

3.1. Market definition and scope

3.2. Key findings

3.2.1. Top impacting factors

3.2.2. Top investment pockets

3.3. Porter’s five forces analysis

3.3.1. Bargaining power of suppliers

3.3.2. Bargaining power of buyers

3.3.3. Threat of substitutes

3.3.4. Threat of new entrants

3.3.5. Intensity of rivalry

3.4. Market dynamics

3.4.1. Drivers

3.4.1.1. Growing interest of consumers toward live music

3.4.1.2. Growing popularity of music tourism

3.4.2. Restraints

3.4.2.1. Government policies pertaining to data protection

3.4.2.2. High operational cost

3.4.3. Opportunities

3.4.3.1. Growth in m-commerce

3.4.3.2. Growing infrastructural developments

3.5. COVID-19 Impact Analysis on the market

3.6. Market Share Analysis

4.1. Overview

4.1.1. Market size and forecast

4.2. Rock

4.2.1. Key market trends, growth factors and opportunities

4.2.2. Market size and forecast, by region

4.2.3. Market share analysis by country

4.3. Jazz

4.3.1. Key market trends, growth factors and opportunities

4.3.2. Market size and forecast, by region

4.3.3. Market share analysis by country

4.4. Pop

4.4.1. Key market trends, growth factors and opportunities

4.4.2. Market size and forecast, by region

4.4.3. Market share analysis by country

4.5. Others

4.5.1. Key market trends, growth factors and opportunities

4.5.2. Market size and forecast, by region

4.5.3. Market share analysis by country

5.1. Overview

5.1.1. Market size and forecast

5.2. Tickets

5.2.1. Key market trends, growth factors and opportunities

5.2.2. Market size and forecast, by region

5.2.3. Market share analysis by country

5.2.4. Tickets K-pop Events Market by Sub-type

5.2.4.1. Online Market size and forecast, by region

5.2.4.2. Offline Market size and forecast, by region

5.3. Sponserships

5.3.1. Key market trends, growth factors and opportunities

5.3.2. Market size and forecast, by region

5.3.3. Market share analysis by country

5.4. Others

5.4.1. Key market trends, growth factors and opportunities

5.4.2. Market size and forecast, by region

5.4.3. Market share analysis by country

6.1. Overview

6.1.1. Market size and forecast

6.2. Male

6.2.1. Key market trends, growth factors and opportunities

6.2.2. Market size and forecast, by region

6.2.3. Market share analysis by country

6.3. Female

6.3.1. Key market trends, growth factors and opportunities

6.3.2. Market size and forecast, by region

6.3.3. Market share analysis by country

7.1. Overview

7.1.1. Market size and forecast By Region

7.2. North America

7.2.1. Key trends and opportunities

7.2.2. Market size and forecast, by Type

7.2.3. Market size and forecast, by Revenue Source

7.2.3.1. North America Tickets K-pop Events Market by Sub-type

7.2.4. Market size and forecast, by Gender

7.2.5. Market size and forecast, by country

7.2.5.1. U.S.

7.2.5.1.1. Key market trends, growth factors and opportunities

7.2.5.1.2. Market size and forecast, by Type

7.2.5.1.3. Market size and forecast, by Revenue Source

7.2.5.1.4. Market size and forecast, by Gender

7.2.5.2. Canada

7.2.5.2.1. Key market trends, growth factors and opportunities

7.2.5.2.2. Market size and forecast, by Type

7.2.5.2.3. Market size and forecast, by Revenue Source

7.2.5.2.4. Market size and forecast, by Gender

7.2.5.3. Mexico

7.2.5.3.1. Key market trends, growth factors and opportunities

7.2.5.3.2. Market size and forecast, by Type

7.2.5.3.3. Market size and forecast, by Revenue Source

7.2.5.3.4. Market size and forecast, by Gender

7.3. Europe

7.3.1. Key trends and opportunities

7.3.2. Market size and forecast, by Type

7.3.3. Market size and forecast, by Revenue Source

7.3.3.1. Europe Tickets K-pop Events Market by Sub-type

7.3.4. Market size and forecast, by Gender

7.3.5. Market size and forecast, by country

7.3.5.1. Germany

7.3.5.1.1. Key market trends, growth factors and opportunities

7.3.5.1.2. Market size and forecast, by Type

7.3.5.1.3. Market size and forecast, by Revenue Source

7.3.5.1.4. Market size and forecast, by Gender

7.3.5.2. France

7.3.5.2.1. Key market trends, growth factors and opportunities

7.3.5.2.2. Market size and forecast, by Type

7.3.5.2.3. Market size and forecast, by Revenue Source

7.3.5.2.4. Market size and forecast, by Gender

7.3.5.3. UK

7.3.5.3.1. Key market trends, growth factors and opportunities

7.3.5.3.2. Market size and forecast, by Type

7.3.5.3.3. Market size and forecast, by Revenue Source

7.3.5.3.4. Market size and forecast, by Gender

7.3.5.4. Italy

7.3.5.4.1. Key market trends, growth factors and opportunities

7.3.5.4.2. Market size and forecast, by Type

7.3.5.4.3. Market size and forecast, by Revenue Source

7.3.5.4.4. Market size and forecast, by Gender

7.3.5.5. Spain

7.3.5.5.1. Key market trends, growth factors and opportunities

7.3.5.5.2. Market size and forecast, by Type

7.3.5.5.3. Market size and forecast, by Revenue Source

7.3.5.5.4. Market size and forecast, by Gender

7.3.5.6. Netherlands

7.3.5.6.1. Key market trends, growth factors and opportunities

7.3.5.6.2. Market size and forecast, by Type

7.3.5.6.3. Market size and forecast, by Revenue Source

7.3.5.6.4. Market size and forecast, by Gender

7.3.5.7. Rest of Europe

7.3.5.7.1. Key market trends, growth factors and opportunities

7.3.5.7.2. Market size and forecast, by Type

7.3.5.7.3. Market size and forecast, by Revenue Source

7.3.5.7.4. Market size and forecast, by Gender

7.4. Asia-Pacific

7.4.1. Key trends and opportunities

7.4.2. Market size and forecast, by Type

7.4.3. Market size and forecast, by Revenue Source

7.4.3.1. Asia-Pacific Tickets K-pop Events Market by Sub-type

7.4.4. Market size and forecast, by Gender

7.4.5. Market size and forecast, by country

7.4.5.1. Japan

7.4.5.1.1. Key market trends, growth factors and opportunities

7.4.5.1.2. Market size and forecast, by Type

7.4.5.1.3. Market size and forecast, by Revenue Source

7.4.5.1.4. Market size and forecast, by Gender

7.4.5.2. China

7.4.5.2.1. Key market trends, growth factors and opportunities

7.4.5.2.2. Market size and forecast, by Type

7.4.5.2.3. Market size and forecast, by Revenue Source

7.4.5.2.4. Market size and forecast, by Gender

7.4.5.3. South Korea

7.4.5.3.1. Key market trends, growth factors and opportunities

7.4.5.3.2. Market size and forecast, by Type

7.4.5.3.3. Market size and forecast, by Revenue Source

7.4.5.3.4. Market size and forecast, by Gender

7.4.5.4. India

7.4.5.4.1. Key market trends, growth factors and opportunities

7.4.5.4.2. Market size and forecast, by Type

7.4.5.4.3. Market size and forecast, by Revenue Source

7.4.5.4.4. Market size and forecast, by Gender

7.4.5.5. Australia

7.4.5.5.1. Key market trends, growth factors and opportunities

7.4.5.5.2. Market size and forecast, by Type

7.4.5.5.3. Market size and forecast, by Revenue Source

7.4.5.5.4. Market size and forecast, by Gender

7.4.5.6. Rest of Asia-Pacific

7.4.5.6.1. Key market trends, growth factors and opportunities

7.4.5.6.2. Market size and forecast, by Type

7.4.5.6.3. Market size and forecast, by Revenue Source

7.4.5.6.4. Market size and forecast, by Gender

7.5. LAMEA

7.5.1. Key trends and opportunities

7.5.2. Market size and forecast, by Type

7.5.3. Market size and forecast, by Revenue Source

7.5.3.1. LAMEA Tickets K-pop Events Market by Sub-type

7.5.4. Market size and forecast, by Gender

7.5.5. Market size and forecast, by country

7.5.5.1. Brazil

7.5.5.1.1. Key market trends, growth factors and opportunities

7.5.5.1.2. Market size and forecast, by Type

7.5.5.1.3. Market size and forecast, by Revenue Source

7.5.5.1.4. Market size and forecast, by Gender

7.5.5.2. Argentina

7.5.5.2.1. Key market trends, growth factors and opportunities

7.5.5.2.2. Market size and forecast, by Type

7.5.5.2.3. Market size and forecast, by Revenue Source

7.5.5.2.4. Market size and forecast, by Gender

7.5.5.3. South Africa

7.5.5.3.1. Key market trends, growth factors and opportunities

7.5.5.3.2. Market size and forecast, by Type

7.5.5.3.3. Market size and forecast, by Revenue Source

7.5.5.3.4. Market size and forecast, by Gender

7.5.5.4. Rest of LAMEA

7.5.5.4.1. Key market trends, growth factors and opportunities

7.5.5.4.2. Market size and forecast, by Type

7.5.5.4.3. Market size and forecast, by Revenue Source

7.5.5.4.4. Market size and forecast, by Gender

8.1. Introduction

8.2. Top winning strategies

8.3. Product Mapping of Top 10 Player

8.4. Competitive Dashboard

8.5. Competitive Heatmap

8.6. Top player positioning, 2021

9.1. Filmmaster Group

9.1.1. Company overview

9.1.2. Key Executives

9.1.3. Company snapshot

9.1.4. Operating business segments

9.1.5. Product portfolio

9.2. Eventbrite, Inc.

9.2.1. Company overview

9.2.2. Key Executives

9.2.3. Company snapshot

9.2.4. Operating business segments

9.2.5. Product portfolio

9.2.6. Business performance

9.2.7. Key strategic moves and developments

9.3. Live Company Group plc.

9.3.1. Company overview

9.3.2. Key Executives

9.3.3. Company snapshot

9.3.4. Operating business segments

9.3.5. Product portfolio

9.3.6. Business performance

9.4. SubKulture Entertainment

9.4.1. Company overview

9.4.2. Key Executives

9.4.3. Company snapshot

9.4.4. Operating business segments

9.4.5. Product portfolio

9.5. SM Entertainment Group

9.5.1. Company overview

9.5.2. Key Executives

9.5.3. Company snapshot

9.5.4. Operating business segments

9.5.5. Product portfolio

9.5.6. Business performance

9.5.7. Key strategic moves and developments

9.6. JYP Entertainment Co. Ltd

9.6.1. Company overview

9.6.2. Key Executives

9.6.3. Company snapshot

9.6.4. Operating business segments

9.6.5. Product portfolio

9.6.6. Business performance

9.6.7. Key strategic moves and developments

9.7. YG Entertainment Inc.

9.7.1. Company overview

9.7.2. Key Executives

9.7.3. Company snapshot

9.7.4. Operating business segments

9.7.5. Product portfolio

9.7.6. Business performance

9.7.7. Key strategic moves and developments

9.8. HYBE Co., Ltd.

9.8.1. Company overview

9.8.2. Key Executives

9.8.3. Company snapshot

9.8.4. Operating business segments

9.8.5. Product portfolio

9.8.6. Business performance

9.8.7. Key strategic moves and developments

9.9. PK-UK Events Limited

9.9.1. Company overview

9.9.2. Key Executives

9.9.3. Company snapshot

9.9.4. Operating business segments

9.9.5. Product portfolio

9.10. CJ Co., Ltd.

9.10.1. Company overview

9.10.2. Key Executives

9.10.3. Company snapshot

9.10.4. Operating business segments

9.10.5. Product portfolio

9.10.6. Business performance

9.10.7. Key strategic moves and development

LIST OF TABLES

TABLE 01. GLOBAL K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 02. K-POP EVENTS MARKET FOR ROCK, BY REGION, 2021-2031 ($MILLION)

TABLE 03. K-POP EVENTS MARKET FOR JAZZ, BY REGION, 2021-2031 ($MILLION)

TABLE 04. K-POP EVENTS MARKET FOR POP, BY REGION, 2021-2031 ($MILLION)

TABLE 05. K-POP EVENTS MARKET FOR OTHERS, BY REGION, 2021-2031 ($MILLION)

TABLE 06. GLOBAL K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 07. K-POP EVENTS MARKET FOR TICKETS, BY REGION, 2021-2031 ($MILLION)

TABLE 08. GLOBAL TICKETS K-POP EVENTS MARKET, BY SUB-TYPE, 2021-2031 ($MILLION)

TABLE 09. K-POP EVENTS MARKET FOR ONLINE, BY REGION, 2021-2031 ($MILLION)

TABLE 10. K-POP EVENTS MARKET FOR OFFLINE, BY REGION, 2021-2031 ($MILLION)

TABLE 11. K-POP EVENTS MARKET FOR SPONSERSHIPS, BY REGION, 2021-2031 ($MILLION)

TABLE 12. K-POP EVENTS MARKET FOR OTHERS, BY REGION, 2021-2031 ($MILLION)

TABLE 13. GLOBAL K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 14. K-POP EVENTS MARKET FOR MALE, BY REGION, 2021-2031 ($MILLION)

TABLE 15. K-POP EVENTS MARKET FOR FEMALE, BY REGION, 2021-2031 ($MILLION)

TABLE 16. K-POP EVENTS MARKET, BY REGION, 2021-2031 ($MILLION)

TABLE 17. NORTH AMERICA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 18. NORTH AMERICA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 19. NORTH AMERICA TICKETS K-POP EVENTS MARKET, BY SUB-TYPE, 2021-2031 ($MILLION)

TABLE 20. NORTH AMERICA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 21. NORTH AMERICA K-POP EVENTS MARKET, BY COUNTRY, 2021-2031 ($MILLION)

TABLE 22. U.S. K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 23. U.S. K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 24. U.S. K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 25. CANADA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 26. CANADA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 27. CANADA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 28. MEXICO K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 29. MEXICO K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 30. MEXICO K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 31. EUROPE K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 32. EUROPE K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 33. EUROPE TICKETS K-POP EVENTS MARKET, BY SUB-TYPE, 2021-2031 ($MILLION)

TABLE 34. EUROPE K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 35. EUROPE K-POP EVENTS MARKET, BY COUNTRY, 2021-2031 ($MILLION)

TABLE 36. GERMANY K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 37. GERMANY K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 38. GERMANY K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 39. FRANCE K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 40. FRANCE K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 41. FRANCE K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 42. UK K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 43. UK K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 44. UK K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 45. ITALY K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 46. ITALY K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 47. ITALY K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 48. SPAIN K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 49. SPAIN K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 50. SPAIN K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 51. NETHERLANDS K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 52. NETHERLANDS K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 53. NETHERLANDS K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 54. REST OF EUROPE K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 55. REST OF EUROPE K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 56. REST OF EUROPE K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 57. ASIA-PACIFIC K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 58. ASIA-PACIFIC K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 59. ASIA-PACIFIC TICKETS K-POP EVENTS MARKET, BY SUB-TYPE, 2021-2031 ($MILLION)

TABLE 60. ASIA-PACIFIC K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 61. ASIA-PACIFIC K-POP EVENTS MARKET, BY COUNTRY, 2021-2031 ($MILLION)

TABLE 62. JAPAN K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 63. JAPAN K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 64. JAPAN K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 65. CHINA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 66. CHINA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 67. CHINA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 68. SOUTH KOREA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 69. SOUTH KOREA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 70. SOUTH KOREA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 71. INDIA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 72. INDIA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 73. INDIA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 74. AUSTRALIA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 75. AUSTRALIA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 76. AUSTRALIA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 77. REST OF ASIA-PACIFIC K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 78. REST OF ASIA-PACIFIC K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 79. REST OF ASIA-PACIFIC K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 80. LAMEA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 81. LAMEA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 82. LAMEA TICKETS K-POP EVENTS MARKET, BY SUB-TYPE, 2021-2031 ($MILLION)

TABLE 83. LAMEA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 84. LAMEA K-POP EVENTS MARKET, BY COUNTRY, 2021-2031 ($MILLION)

TABLE 85. BRAZIL K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 86. BRAZIL K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 87. BRAZIL K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 88. ARGENTINA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 89. ARGENTINA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 90. ARGENTINA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 91. SOUTH AFRICA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 92. SOUTH AFRICA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 93. SOUTH AFRICA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 94. REST OF LAMEA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)

TABLE 95. REST OF LAMEA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)

TABLE 96. REST OF LAMEA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)

TABLE 97. FILMMASTER GROUP: KEY EXECUTIVES

TABLE 98. FILMMASTER GROUP: COMPANY SNAPSHOT

TABLE 99. FILMMASTER GROUP: SERVICE SEGMENTS

TABLE 100. FILMMASTER GROUP: PRODUCT PORTFOLIO

TABLE 101. EVENTBRITE, INC.: KEY EXECUTIVES

TABLE 102. EVENTBRITE, INC.: COMPANY SNAPSHOT

TABLE 103. EVENTBRITE, INC.: SERVICE SEGMENTS

TABLE 104. EVENTBRITE, INC.: PRODUCT PORTFOLIO

TABLE 105. EVENTBRITE, INC.: KEY STRATERGIES

TABLE 106. LIVE COMPANY GROUP PLC.: KEY EXECUTIVES

TABLE 107. LIVE COMPANY GROUP PLC.: COMPANY SNAPSHOT

TABLE 108. LIVE COMPANY GROUP PLC.: SERVICE SEGMENTS

TABLE 109. LIVE COMPANY GROUP PLC.: PRODUCT PORTFOLIO

TABLE 110. SUBKULTURE ENTERTAINMENT: KEY EXECUTIVES

TABLE 111. SUBKULTURE ENTERTAINMENT: COMPANY SNAPSHOT

TABLE 112. SUBKULTURE ENTERTAINMENT: SERVICE SEGMENTS

TABLE 113. SUBKULTURE ENTERTAINMENT: PRODUCT PORTFOLIO

TABLE 114. SM ENTERTAINMENT GROUP: KEY EXECUTIVES

TABLE 115. SM ENTERTAINMENT GROUP: COMPANY SNAPSHOT

TABLE 116. SM ENTERTAINMENT GROUP: SERVICE SEGMENTS

TABLE 117. SM ENTERTAINMENT GROUP: PRODUCT PORTFOLIO

TABLE 118. SM ENTERTAINMENT GROUP: KEY STRATERGIES

TABLE 119. JYP ENTERTAINMENT CO. LTD: KEY EXECUTIVES

TABLE 120. JYP ENTERTAINMENT CO. LTD: COMPANY SNAPSHOT

TABLE 121. JYP ENTERTAINMENT CO. LTD: SERVICE SEGMENTS

TABLE 122. JYP ENTERTAINMENT CO. LTD: PRODUCT PORTFOLIO

TABLE 123. JYP ENTERTAINMENT CO. LTD: KEY STRATERGIES

TABLE 124. YG ENTERTAINMENT INC.: KEY EXECUTIVES

TABLE 125. YG ENTERTAINMENT INC.: COMPANY SNAPSHOT

TABLE 126. YG ENTERTAINMENT INC.: SERVICE SEGMENTS

TABLE 127. YG ENTERTAINMENT INC.: PRODUCT PORTFOLIO

TABLE 128. YG ENTERTAINMENT INC.: KEY STRATERGIES

TABLE 129. HYBE CO., LTD.: KEY EXECUTIVES

TABLE 130. HYBE CO., LTD.: COMPANY SNAPSHOT

TABLE 131. HYBE CO., LTD.: SERVICE SEGMENTS

TABLE 132. HYBE CO., LTD.: PRODUCT PORTFOLIO

TABLE 133. HYBE CO., LTD.: KEY STRATERGIES

TABLE 134. PK-UK EVENTS LIMITED: KEY EXECUTIVES

TABLE 135. PK-UK EVENTS LIMITED: COMPANY SNAPSHOT

TABLE 136. PK-UK EVENTS LIMITED: SERVICE SEGMENTS

TABLE 137. PK-UK EVENTS LIMITED: PRODUCT PORTFOLIO

TABLE 138. CJ CO., LTD.: KEY EXECUTIVES

TABLE 139. CJ CO., LTD.: COMPANY SNAPSHOT

TABLE 140. CJ CO., LTD.: PRODUCT SEGMENTS

TABLE 141. CJ CO., LTD.: SERVICE SEGMENTS

TABLE 142. CJ CO., LTD.: PRODUCT PORTFOLIO

TABLE 143. CJ CO., LTD.: KEY STRATERGIES LIST OF FIGURES

FIGURE 01. K-POP EVENTS MARKET, 2021-2031

FIGURE 02. SEGMENTATION OF K-POP EVENTS MARKET, 2021-2031

FIGURE 03. TOP INVESTMENT POCKETS IN K-POP EVENTS MARKET (2022-2031)

FIGURE 04. LOW BARGAINING POWER OF SUPPLIERS

FIGURE 05. LOW BARGAINING POWER OF BUYERS

FIGURE 06. LOW THREAT OF SUBSTITUTES

FIGURE 07. LOW THREAT OF NEW ENTRANTS

FIGURE 08. LOW INTENSITY OF RIVALRY

FIGURE 09. DRIVERS, RESTRAINTS AND OPPORTUNITIES: GLOBALK-POP EVENTS MARKET

FIGURE 10. MARKET SHARE ANALYSIS: K-POP EVENTS MARKET

FIGURE 11. K-POP EVENTS MARKET, BY TYPE, 2021(%)

FIGURE 12. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR ROCK, BY COUNTRY 2021-2031(%)

FIGURE 13. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR JAZZ, BY COUNTRY 2021-2031(%)

FIGURE 14. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR POP, BY COUNTRY 2021-2031(%)

FIGURE 15. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR OTHERS, BY COUNTRY 2021-2031(%)

FIGURE 16. K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021(%)

FIGURE 17. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR TICKETS, BY COUNTRY 2021-2031(%)

FIGURE 18. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR SPONSERSHIPS, BY COUNTRY 2021-2031(%)

FIGURE 19. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR OTHERS, BY COUNTRY 2021-2031(%)

FIGURE 20. K-POP EVENTS MARKET, BY GENDER, 2021(%)

FIGURE 21. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR MALE, BY COUNTRY 2021-2031(%)

FIGURE 22. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR FEMALE, BY COUNTRY 2021-2031(%)

FIGURE 23. K-POP EVENTS MARKET BY REGION, 2021

FIGURE 24. U.S. K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 25. CANADA K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 26. MEXICO K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 27. GERMANY K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 28. FRANCE K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 29. UK K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 30. ITALY K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 31. SPAIN K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 32. NETHERLANDS K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 33. REST OF EUROPE K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 34. JAPAN K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 35. CHINA K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 36. SOUTH KOREA K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 37. INDIA K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 38. AUSTRALIA K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 39. REST OF ASIA-PACIFIC K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 40. BRAZIL K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 41. ARGENTINA K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 42. SOUTH AFRICA K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 43. REST OF LAMEA K-POP EVENTS MARKET, 2021-2031 ($MILLION)

FIGURE 44. TOP WINNING STRATEGIES, BY YEAR

FIGURE 45. TOP WINNING STRATEGIES, BY DEVELOPMENT

FIGURE 46. TOP WINNING STRATEGIES, BY COMPANY

FIGURE 47. PRODUCT MAPPING OF TOP 10 PLAYERS

FIGURE 48. COMPETITIVE DASHBOARD

FIGURE 49. COMPETITIVE HEATMAP: K-POP EVENTS MARKET

FIGURE 50. TOP PLAYER POSITIONING, 2021

FIGURE 51. EVENTBRITE, INC.: NET SALES, 2019-2021 ($MILLION)

FIGURE 52. EVENTBRITE, INC.: REVENUE SHARE BY REGION, 2021 (%)

FIGURE 53. LIVE COMPANY GROUP PLC.: NET SALES, 2019-2021 ($MILLION)

FIGURE 54. LIVE COMPANY GROUP PLC.: REVENUE SHARE BY SEGMENT, 2021 (%)

FIGURE 55. LIVE COMPANY GROUP PLC.: REVENUE SHARE BY REGION, 2021 (%)

FIGURE 56. SM ENTERTAINMENT GROUP: RESEARCH & DEVELOPMENT EXPENDITURE, 2019-2021 ($MILLION)

FIGURE 57. JYP ENTERTAINMENT CO. LTD: NET REVENUE, 2019-2021 ($MILLION)

FIGURE 58. YG ENTERTAINMENT INC.: NET REVENUE, 2021-2022 ($MILLION)

FIGURE 59. HYBE CO., LTD.: NET SALES, 2019-2021 ($MILLION)

FIGURE 60. CJ CO., LTD.: NET REVENUE, 2019-2021 ($MILLION)

FIGURE 61. CJ CO., LTD.: REVENUE SHARE BY SEGMENT, 2021 (%