The global Entertainment Idol Agencies market is projected to grow from US$ million in 2024 to US$ million by 2031, at a CAGR of %(2025-2031), driven by critical product segments and diverse end‑use applications.

An entertainment idol agency is an entertainment company that specializes in career planning, image packaging, commercial activity arrangements, media publicity, etc. for idol artists.

From a downstream perspective, Music accounted for % of 2024 revenue, surging to US$ million by 2031 (CAGR: % from 2025–2031).

Entertainment Idol Agencies leading manufacturers including SM, YG, JYP, HYBE, SMILE-UP, LDH JAPAN, Stardust Promotion, CUBE Entertainment, Starship Entertainment, Time Fengjun Entertainment, etc., dominate supply; the top five capture approximately % of global revenue, with SM leading 2024 sales at US$ million.

Regional Outlook:

North America rose from US$ million in 2024 to a forecast US$ million by 2031 (CAGR %).

Asia‑Pacific will expand from US$ million to US$ million (CAGR  %), led by China (US$ million in 2024, % share rising to % by 2031), Japan (CAGR %), South Korea (CAGR %), and Southeast Asia (CAGR %).

Europe is set to grow from US$ million to US$ million (CAGR %), with Germany projected to hit US$ million by 2031 (CAGR %).

Report Includes:

This definitive report equips CEOs, marketing directors, and investors with a 360° view of the global Entertainment Idol Agencies market across value chain. It analyzes historical revenue data (2020–2024) and delivers forecasts through 2031, illuminating demand trends and growth drivers.

By segmenting the market by Type and by Application, the study quantifies market size, growth rates, niche opportunities, and substitution risks, and analyzes downstream customers distribution pattern.

Granular regional insights cover five major markets—North America, Europe, APAC, South America, and MEA—with in‑depth analysis of 20+ countries, detailing dominant products, competitive landscape, and downstream demand trends.

Critical competitive intelligence profiles players—revenue, margins, pricing strategies, and major customers—and dissects the top-player positioning across product lines, applications, and regions to reveal strategic strengths.

A concise Industry‑chain overview maps upstream, middlestream, and downstream distribution dynamics to identify strategic gaps and unmet demand.

Market Segmentation

Scope of Entertainment Idol Agencies Market Report

Report Metric	Details
Report Name	Entertainment Idol Agencies Market
Segment by Type	Selection Mode Training Mode Others
Segment by Application	Music Film and TV Activities and Performances Others
Sales by Region	North America (United States, Canada) Europe (Germany, France, UK, Italy, Russia) Rest of Europe Nordic Countries Asia-Pacific (China, Japan, South Korea) Southeast Asia (India, Australia) Rest of Asia Latin America (Mexico, Brazil) Rest of Latin America Middle East & Africa (Turkey, Saudi Arabia, UAE, Rest of MEA)
By Company	SM, YG, JYP, HYBE, SMILE-UP, LDH JAPAN, Stardust Promotion, CUBE Entertainment, Starship Entertainment, Time Fengjun Entertainment, YH Entertainment Group, Wajijiwa Entertainment, Shanghai Star48 Culture Media Group, Shanghai Tianyu Media, Gramarie Entertainment
Forecast units	USD million in value
Report coverage	Revenue and volume forecast, company share, competitive landscape, growth factors and trends

Chapter Outline

Chapter 1: Defines the Entertainment Idol Agencies study scope, segments the market by Type and by Application, etc, highlights segment size and growth potential.
Chapter 2: Offers current market state, projects global revenue and sales to 2031, pinpointing high consumption regions and emerging market catalysts
Chapter 3: Dissects the player landscape—ranks by revenue and profitability, details Player performance by product type and evaluates concentration alongside M&A moves.
Chapter 4: Unlocks high margin product segments—compares revenue, ASP, and technology differentiators, highlighting growth niches and substitution risks
Chapter 5: Targets downstream market opportunities—evaluates market size by Application, identifies emerging use cases, and profiles leading customers by region and by Application.
Chapter 6: North America—breaks down market size by Type, by Application and country, profiles key players and assesses growth drivers and barriers.
Chapter 7: Europe—analyses regional market by Type, by Application and players, flagging drivers and barriers.
Chapter 8: Asia Pacific—quantifies market size by Type, by Application, and region/country, profiles top players, and uncovers high potential expansion areas.
Chapter 9: Central & South America—measures market size by Type, by Application, and country, profiles top players, and identifies investment opportunities and challenges.
Chapter 10: Middle East and Africa—evaluates market size by Type, by Application, and country, profiles key players, and outlines investment prospects and market hurdles
Chapter 11: Profiles players in depth—details product specs, revenue, margins; Top-tier players 2024 sales breakdowns by Product type, by Application, by region SWOT analysis, and recent strategic developments.
Chapter 12: Industry chain—analyses upstream, cost drivers, plus downstream channels.
Chapter 13: Market dynamics—explores drivers, restraints, regulatory impacts, and risk mitigation strategies.
Chapter 14: Actionable conclusions and strategic recommendations.
Why This Report:
Beyond standard market data, this analysis provides a clear profitability roadmap—empowering you to:
Allocate capital strategically to high growth regions (Chapters 6–10) and margin rich segments (Chapter 5).
Negotiate from strength with suppliers (Chapter 12) and customers (Chapter 5) using cost and demand intelligence.
Outmaneuver competitors with granular insights into their operations, margins, and strategies (Chapters 3 and 11).
Capitalize on the projected billion‑dollar opportunity with data‑driven regional and segment tactics (Chapter 12-14).
Leverage this 360° intelligence to turn market complexity into actionable competitive advantage.

FAQ for this report

Who are the main players in the Entertainment Idol Agencies Market report?

Ans: The main players in the Entertainment Idol Agencies Market are SM, YG, JYP, HYBE, SMILE-UP, LDH JAPAN, Stardust Promotion, CUBE Entertainment, Starship Entertainment, Time Fengjun Entertainment, YH Entertainment Group, Wajijiwa Entertainment, Shanghai Star48 Culture Media Group, Shanghai Tianyu Media, Gramarie Entertainment

What are the Application segmentation covered in the Entertainment Idol Agencies Market report?

Ans: The Applications covered in the Entertainment Idol Agencies Market report are Music, Film and TV, Activities and Performances, Others

What are the Type segmentation covered in the Entertainment Idol Agencies Market report?

Ans: The Types covered in the Entertainment Idol Agencies Market report are Selection Mode, Training Mode, Others

1 Study Coverage

1.1 Introduction to Entertainment Idol Agencies: Definition, Properties, and Key Attributes

1.2 Market Segmentation by Type

1.2.1 Global Entertainment Idol Agencies Market Size by Type, 2020 VS 2024 VS 2031

1.2.2 Selection Mode

1.2.3 Training Mode

1.2.4 Others

1.3 Market Segmentation by Application

1.3.1 Global Entertainment Idol Agencies Market Size by Application, 2020 VS 2024 VS 2031

1.3.2 Music

1.3.3 Film and TV

1.3.4 Activities and Performances

1.3.5 Others

1.4 Assumptions and Limitations

1.5 Study Objectives

1.6 Years Considered

2 Executive Summary

2.1 Global Entertainment Idol Agencies Revenue Estimates and Forecasts 2020-2031

2.2 Global Entertainment Idol Agencies Revenue by Region

2.2.1 Revenue Comparison: 2020 VS 2024 VS 2031

2.2.2 Historical and Forecasted Revenue by Region (2020-2031)

2.2.3 Global Revenue Market Share by Region (2020-2031)

2.2.4 Emerging Market Focus: Growth Drivers & Investment Trends

3 Competition by Players

3.1 Global Entertainment Idol Agencies Player Revenue Rankings and Profitability

3.1.1 Global Revenue (Value) by Players (2020-2025)

3.1.2 Global Key Player Revenue Ranking (2023 vs. 2024)

3.1.3 Revenue-Based Tier Segmentation (Tier 1, Tier 2, and Tier 3)

3.1.4 Gross Margin by Top Player (2020 VS 2024)

3.2 Global Entertainment Idol Agencies Companies Headquarters and Service Footprint

3.3 Main Product Type Market Size by Players

3.3.1 Selection Mode Market Size by Players

3.3.2 Training Mode Market Size by Players

3.3.3 Others Market Size by Players

3.4 Global Entertainment Idol Agencies Market Concentration and Dynamics

3.4.1 Global Market Concentration (CR5 and HHI)

3.4.2 Entrant/Exit Impact Analysis

3.4.3 Strategic Moves: M&A, Expansion, R&D Investment

4 Global Product Segmentation Analysis

4.1 Global Entertainment Idol Agencies Revenue Trends by Type

4.1.1 Global Historical and Forecasted Revenue by Type (2020-2031)

4.1.2 Global Revenue Market Share by Type (2020-2031)

4.2 Key Product Attributes and Differentiation

4.3 Subtype Dynamics: Growth Leaders, Profitability and Risk

4.3.1 High-Growth Niches and Adoption Drivers

4.3.2 Profitability Hotspots and Cost Drivers

4.3.3 Substitution Threats

5 Global Downstream Application Analysis

5.1 Global Entertainment Idol Agencies Revenue by Application

5.1.1 Global Historical and Forecasted Revenue by Application (2020-2031)

5.1.2 Revenue Market Share by Application (2020-2031)

5.1.3 High-Growth Application Identification

5.1.4 Emerging Application Case Studies

5.2 Downstream Customer Analysis

5.2.1 Top Customers by Region

5.2.2 Top Customers by Application

6 North America

6.1 North America Market Size (2020-2031)

6.2 North America Key Players Revenue in 2024

6.3 North America Entertainment Idol Agencies Market Size by Type (2020-2031)

6.4 North America Entertainment Idol Agencies Market Size by Application (2020-2031)

6.5 North America Growth Accelerators and Market Barriers

6.6 North America Entertainment Idol Agencies Market Size by Country

6.6.1 North America Revenue Trends by Country

6.6.2 US

6.6.3 Canada

6.6.4 Mexico

7 Europe

7.1 Europe Market Size (2020-2031)

7.2 Europe Key Players Revenue in 2024

7.3 Europe Entertainment Idol Agencies Market Size by Type (2020-2031)

7.4 Europe Entertainment Idol Agencies Market Size by Application (2020-2031)

7.5 Europe Growth Accelerators and Market Barriers

7.6 Europe Entertainment Idol Agencies Market Size by Country

7.6.1 Europe Revenue Trends by Country

7.6.2 Germany

7.6.3 France

7.6.4 U.K.

7.6.5 Italy

7.6.6 Russia

8 Asia-Pacific

8.1 Asia-Pacific Market Size (2020-2031)

8.2 Asia-Pacific Key Players Revenue in 2024

8.3 Asia-Pacific Entertainment Idol Agencies Market Size by Type (2020-2031)

8.4 Asia-Pacific Entertainment Idol Agencies Market Size by Application (2020-2031)

8.5 Asia-Pacific Growth Accelerators and Market Barriers

8.6 Asia-Pacific Entertainment Idol Agencies Market Size by Region

8.6.1 Asia-Pacific Revenue Trends by Region

8.7 China

8.8 Japan

8.9 South Korea

8.10 Australia

8.11 India

8.12 Southeast Asia

8.12.1 Indonesia

8.12.2 Vietnam

8.12.3 Malaysia

8.12.4 Philippines

8.12.5 Singapore

9 Central and South America

9.1 Central and South America Market Size (2020-2031)

9.2 Central and South America Key Players Revenue in 2024

9.3 Central and South America Entertainment Idol Agencies Market Size by Type (2020-2031)

9.4 Central and South America Entertainment Idol Agencies Market Size by Application (2020-2031)

9.5 Central and South America Investment Opportunities and Key Challenges

9.6 Central and South America Entertainment Idol Agencies Market Size by Country

9.6.1 Central and South America Revenue Trends by Country (2020 VS 2024 VS 2031)

9.6.2 Brazil

9.6.3 Argentina

10 Middle East and Africa

10.1 Middle East and Africa Market Size (2020-2031)

10.2 Middle East and Africa Key Players Revenue in 2024

10.3 Middle East and Africa Entertainment Idol Agencies Market Size by Type (2020-2031)

10.4 Middle East and Africa Entertainment Idol Agencies Market Size by Application (2020-2031)

10.5 Middle East and Africa Investment Opportunities and Key Challenges

10.6 Middle East and Africa Entertainment Idol Agencies Market Size by Country

10.6.1 Middle East and Africa Revenue Trends by Country (2020 VS 2024 VS 2031)

10.6.2 GCC Countries

10.6.3 Israel

10.6.4 Egypt

10.6.5 South Africa

11 Corporate Profile

11.1 SM

11.1.1 SM Corporation Information

11.1.2 SM Business Overview

11.1.3 SM Entertainment Idol Agencies Product Features and Attributes

11.1.4 SM Entertainment Idol Agencies Revenue and Gross Margin (2020-2025)

11.1.5 SM Entertainment Idol Agencies Revenue by Product in 2024

11.1.6 SM Entertainment Idol Agencies Revenue by Application in 2024

11.1.7 SM Entertainment Idol Agencies Revenue by Geographic Area in 2024

11.1.8 SM Entertainment Idol Agencies SWOT Analysis

11.1.9 SM Recent Developments

11.2 YG

11.2.1 YG Corporation Information

11.2.2 YG Business Overview

11.2.3 YG Entertainment Idol Agencies Product Features and Attributes

11.2.4 YG Entertainment Idol Agencies Revenue and Gross Margin (2020-2025)

11.2.5 YG Entertainment Idol Agencies Revenue by Product in 2024

11.2.6 YG Entertainment Idol Agencies Revenue by Application in 2024

11.2.7 YG Entertainment Idol Agencies Revenue by Geographic Area in 2024

11.2.8 YG Entertainment Idol Agencies SWOT Analysis

11.2.9 YG Recent Developments

11.3 JYP

11.3.1 JYP Corporation Information

11.3.2 JYP Business Overview

11.3.3 JYP Entertainment Idol Agencies Product Features and Attributes

11.3.4 JYP Entertainment Idol Agencies Revenue and Gross Margin (2020-2025)

11.3.5 JYP Entertainment Idol Agencies Revenue by Product in 2024

11.3.6 JYP Entertainment Idol Agencies Revenue by Application in 2024

11.3.7 JYP Entertainment Idol Agencies Revenue by Geographic Area in 2024

11.3.8 JYP Entertainment Idol Agencies SWOT Analysis

11.3.9 JYP Recent Developments

11.4 HYBE

11.4.1 HYBE Corporation Information

11.4.2 HYBE Business Overview

11.4.3 HYBE Entertainment Idol Agencies Product Features and Attributes

11.4.4 HYBE Entertainment Idol Agencies Revenue and Gross Margin (2020-2025)

11.4.5 HYBE Entertainment Idol Agencies Revenue by Product in 2024

11.4.6 HYBE Entertainment Idol Agencies Revenue by Application in 2024

11.4.7 HYBE Entertainment Idol Agencies Revenue by Geographic Area in 2024

11.4.8 HYBE Entertainment Idol Agencies SWOT Analysis

11.4.9 HYBE Recent Developments

11.5 SMILE-UP

11.5.1 SMILE-UP Corporation Information

11.5.2 SMILE-UP Business Overview

11.5.3 SMILE-UP Entertainment Idol Agencies Product Features and Attributes

11.5.4 SMILE-UP Entertainment Idol Agencies Revenue and Gross Margin (2020-2025)

11.5.5 SMILE-UP Entertainment Idol Agencies Revenue by Product in 2024

11.5.6 SMILE-UP Entertainment Idol Agencies Revenue by Application in 2024

11.5.7 SMILE-UP Entertainment Idol Agencies Revenue by Geographic Area in 2024

11.5.8 SMILE-UP Entertainment Idol Agencies SWOT Analysis

11.5.9 SMILE-UP Recent Developments

11.6 LDH JAPAN

11.6.1 LDH JAPAN Corporation Information

11.6.2 LDH JAPAN Business Overview

11.6.3 LDH JAPAN Entertainment Idol Agencies Product Features and Attributes

11.6.4 LDH JAPAN Entertainment Idol Agencies Revenue and Gross Margin (2020-2025)

11.6.5 LDH JAPAN Recent Developments

11.7 Stardust Promotion

11.7.1 Stardust Promotion Corporation Information

11.7.2 Stardust Promotion Business Overview

11.7.3 Stardust Promotion Entertainment Idol Agencies Product Features and Attributes

11.7.4 Stardust Promotion Entertainment Idol Agencies Revenue and Gross Margin (2020-2025)

11.7.5 Stardust Promotion Recent Developments

11.8 CUBE Entertainment

11.8.1 CUBE Entertainment Corporation Information

11.8.2 CUBE Entertainment Business Overview

11.8.3 CUBE Entertainment Entertainment Idol Agencies Product Features and Attributes

11.8.4 CUBE Entertainment Entertainment Idol Agencies Revenue and Gross Margin (2020-2025)

11.8.5 CUBE Entertainment Recent Developments

11.9 Starship Entertainment

11.9.1 Starship Entertainment Corporation Information

11.9.2 Starship Entertainment Business Overview

11.9.3 Starship Entertainment Entertainment Idol Agencies Product Features and Attributes

11.9.4 Starship Entertainment Entertainment Idol Agencies Revenue and Gross Margin (2020-2025)

11.9.5 Starship Entertainment Recent Developments

11.10 Time Fengjun Entertainment

11.10.1 Time Fengjun Entertainment Corporation Information

11.10.2 Time Fengjun Entertainment Business Overview

11.10.3 Time Fengjun Entertainment Entertainment Idol Agencies Product Features and Attributes

11.10.4 Time Fengjun Entertainment Entertainment Idol Agencies Revenue and Gross Margin (2020-2025)

11.10.5 Company Ten Recent Developments

11.11 YH Entertainment Group

11.11.1 YH Entertainment Group Corporation Information

11.11.2 YH Entertainment Group Business Overview

11.11.3 YH Entertainment Group Entertainment Idol Agencies Product Features and Attributes

11.11.4 YH Entertainment Group Entertainment Idol Agencies Revenue and Gross Margin (2020-2025)

11.11.5 YH Entertainment Group Recent Developments

11.12 Wajijiwa Entertainment

11.12.1 Wajijiwa Entertainment Corporation Information

11.12.2 Wajijiwa Entertainment Business Overview

11.12.3 Wajijiwa Entertainment Entertainment Idol Agencies Product Features and Attributes

11.12.4 Wajijiwa Entertainment Entertainment Idol Agencies Revenue and Gross Margin (2020-2025)

11.12.5 Wajijiwa Entertainment Recent Developments

11.13 Shanghai Star48 Culture Media Group

11.13.1 Shanghai Star48 Culture Media Group Corporation Information

11.13.2 Shanghai Star48 Culture Media Group Business Overview

11.13.3 Shanghai Star48 Culture Media Group Entertainment Idol Agencies Product Features and Attributes

11.13.4 Shanghai Star48 Culture Media Group Entertainment Idol Agencies Revenue and Gross Margin (2020-2025)

11.13.5 Shanghai Star48 Culture Media Group Recent Developments

11.14 Shanghai Tianyu Media

11.14.1 Shanghai Tianyu Media Corporation Information

11.14.2 Shanghai Tianyu Media Business Overview

11.14.3 Shanghai Tianyu Media Entertainment Idol Agencies Product Features and Attributes

11.14.4 Shanghai Tianyu Media Entertainment Idol Agencies Revenue and Gross Margin (2020-2025)

11.14.5 Shanghai Tianyu Media Recent Developments

11.15 Gramarie Entertainment

11.15.1 Gramarie Entertainment Corporation Information

11.15.2 Gramarie Entertainment Business Overview

11.15.3 Gramarie Entertainment Entertainment Idol Agencies Product Features and Attributes

11.15.4 Gramarie Entertainment Entertainment Idol Agencies Revenue and Gross Margin (2020-2025)

11.15.5 Gramarie Entertainment Recent Developments

12 Entertainment Idol AgenciesIndustry Chain Analysis

12.1 Entertainment Idol Agencies Industry Chain

12.2 Upstream Analysis

12.2.1 Upstream Key Suppliers

12.3 Middlestream Analysis

12.4 Downstream Sales Model and Distribution Networks

12.4.1 Sales Channels

12.4.2 Distributors

13 Entertainment Idol Agencies Market Dynamics

13.1 Industry Trends and Evolution

13.2 Market Growth Drivers and Emerging Opportunities

13.3 Market Challenges, Risks, and Restraints

14 Key Findings in the Global Entertainment Idol Agencies Study

15 Appendix

15.1 Research Methodology

15.1.1 Methodology/Research Approach

15.1.1.1 Research Programs/Design

15.1.1.2 Market Size Estimation

15.1.1.3 Market Breakdown and Data Triangulation

15.1.2 Data Source

15.1.2.1 Secondary Sources

15.1.2.2 Primary Sources

15.2 Author Details

FEATURED COMPANIES

Cube Entertainment

Starship Entertainment

Time Fengjun Entertainment

YH Entertainment Group

Wajijiwa Entertainment

Shanghai Star48 Culture Media Group

Shanghai Tianyu Media

Gramarie Entertainment

List of Tables

Table 1. Global Entertainment Idol Agencies Market Size Growth Rate by Type, 2020 VS 2024 VS 2031 (US$ Million)

Table 2. Global Entertainment Idol Agencies Market Size Growth Rate by Application, 2020 VS 2024 VS 2031 (US$ Million)

Table 3. Global Entertainment Idol Agencies Revenue Grow Rate (CAGR) by Region: 2020 VS 2024 VS 2031 (US$ Million)

Table 4. Global Entertainment Idol Agencies Revenue by Region (2020-2025) & (US$ Million)

Table 5. Global Entertainment Idol Agencies Revenue by Region (2026-2031) & (US$ Million)

Table 6. Emerging Market Revenue Grow Rate (CAGR) by Country (2020 VS 2024 VS 2031) (US$ Million)

Table 7. Global Entertainment Idol Agencies Revenue by Players (2020-2025) & (US$ Million)

Table 8. Global Entertainment Idol Agencies Revenue Market Share by Players (2020-2025)

Table 9. Global Key Players’Ranking Shift (2023 vs. 2024) (Based on Revenue)

Table 10. Global Entertainment Idol Agencies by Player Tier (Tier 1, Tier 2, and Tier 3) & (based on the Revenue in Entertainment Idol Agencies as of 2024)

Table 11. Global Entertainment Idol Agencies Average Gross Margin (%) by Player (2020 VS 2024)

Table 12. Global Entertainment Idol Agencies Companies Headquarters

Table 13. Global Entertainment Idol Agencies Market Concentration Ratio (CR5 and HHI)

Table 14. Key Market Entrant/Exit (2020-2024) – Drivers & Impact Analysis

Table 15. Key Mergers & Acquisitions, Expansion Plans, R&D Investment

Table 16. Global Entertainment Idol Agencies Revenue by Type (2020-2025) & (US$ Million)

Table 17. Global Entertainment Idol Agencies Revenue by Type (2026-2031) & (US$ Million)

Table 18. Key Product Attributes and Differentiation

Table 19. Global Entertainment Idol Agencies Revenue by Application (2020-2025) & (US$ Million)

Table 20. Global Entertainment Idol Agencies Revenue by Application (2026-2031) & (US$ Million)

Table 21. Entertainment Idol Agencies High-Growth Sectors Demand CAGR (2024-2031)

Table 22. Top Customers by Region

Table 23. Top Customers by Application

Table 24. North America Entertainment Idol Agencies Growth Accelerators and Market Barriers

Table 25. North America Entertainment Idol Agencies Revenue Grow Rate (CAGR) by Country (2020 VS 2024 VS 2031) (US$ Million)

Table 26. Europe Entertainment Idol Agencies Growth Accelerators and Market Barriers

Table 27. Europe Entertainment Idol Agencies Revenue Grow Rate (CAGR) by Country: 2020 VS 2024 VS 2031 (US$ Million)

Table 28. Asia-Pacific Entertainment Idol Agencies Growth Accelerators and Market Barriers

Table 29. Asia-Pacific Entertainment Idol Agencies Revenue Grow Rate (CAGR) by Region: 2020 VS 2024 VS 2031 (US$ Million)

Table 30. Central and South America Entertainment Idol Agencies Investment Opportunities and Key Challenges

Table 31. Central and South America Entertainment Idol Agencies Revenue Grow Rate (CAGR) by Country (2020 VS 2024 VS 2031) (US$ Million)

Table 32. Middle East and Africa Entertainment Idol Agencies Investment Opportunities and Key Challenges

Table 33. Middle East and Africa Entertainment Idol Agencies Revenue Grow Rate (CAGR) by Country (2020 VS 2024 VS 2031) (US$ Million)

Table 34. SM Corporation Information

Table 35. SM Description and Major Businesses

Table 36. SM Product Features and Attributes

Table 37. SM Revenue (US$ Million) and Gross Margin (2020-2025)

Table 38. SM Revenue Proportion by Product in 2024

Table 39. SM Revenue Proportion by Application in 2024

Table 40. SM Revenue Proportion by Geographic Area in 2024

Table 41. SM Entertainment Idol Agencies SWOT Analysis

Table 42. SM Recent Developments

Table 43. YG Corporation Information

Table 44. YG Description and Major Businesses

Table 45. YG Product Features and Attributes

Table 46. YG Revenue (US$ Million) and Gross Margin (2020-2025)

Table 47. YG Revenue Proportion by Product in 2024

Table 48. YG Revenue Proportion by Application in 2024

Table 49. YG Revenue Proportion by Geographic Area in 2024

Table 50. YG Entertainment Idol Agencies SWOT Analysis

Table 51. YG Recent Developments

Table 52. JYP Corporation Information

Table 53. JYP Description and Major Businesses

Table 54. JYP Product Features and Attributes

Table 55. JYP Revenue (US$ Million) and Gross Margin (2020-2025)

Table 56. JYP Revenue Proportion by Product in 2024

Table 57. JYP Revenue Proportion by Application in 2024

Table 58. JYP Revenue Proportion by Geographic Area in 2024

Table 59. JYP Entertainment Idol Agencies SWOT Analysis

Table 60. JYP Recent Developments

Table 61. HYBE Corporation Information

Table 62. HYBE Description and Major Businesses

Table 63. HYBE Product Features and Attributes

Table 64. HYBE Revenue (US$ Million) and Gross Margin (2020-2025)

Table 65. HYBE Revenue Proportion by Product in 2024

Table 66. HYBE Revenue Proportion by Application in 2024

Table 67. HYBE Revenue Proportion by Geographic Area in 2024

Table 68. HYBE Entertainment Idol Agencies SWOT Analysis

Table 69. HYBE Recent Developments

Table 70. SMILE-UP Corporation Information

Table 71. SMILE-UP Description and Major Businesses

Table 72. SMILE-UP Product Features and Attributes

Table 73. SMILE-UP Revenue (US$ Million) and Gross Margin (2020-2025)

Table 74. SMILE-UP Revenue Proportion by Product in 2024

Table 75. SMILE-UP Revenue Proportion by Application in 2024

Table 76. SMILE-UP Revenue Proportion by Geographic Area in 2024

Table 77. SMILE-UP Entertainment Idol Agencies SWOT Analysis

Table 78. SMILE-UP Recent Developments

Table 79. LDH JAPAN Corporation Information

Table 80. LDH JAPAN Description and Major Businesses

Table 81. LDH JAPAN Product Features and Attributes

Table 82. LDH JAPAN Revenue (US$ Million) and Gross Margin (2020-2025)

Table 83. LDH JAPAN Recent Developments

Table 84. Stardust Promotion Corporation Information

Table 85. Stardust Promotion Description and Major Businesses

Table 86. Stardust Promotion Product Features and Attributes

Table 87. Stardust Promotion Revenue (US$ Million) and Gross Margin (2020-2025)

Table 88. Stardust Promotion Recent Developments

Table 89. CUBE Entertainment Corporation Information

Table 90. CUBE Entertainment Description and Major Businesses

Table 91. CUBE Entertainment Product Features and Attributes

Table 92. CUBE Entertainment Revenue (US$ Million) and Gross Margin (2020-2025)

Table 93. CUBE Entertainment Recent Developments

Table 94. Starship Entertainment Corporation Information

Table 95. Starship Entertainment Description and Major Businesses

Table 96. Starship Entertainment Product Features and Attributes

Table 97. Starship Entertainment Revenue (US$ Million) and Gross Margin (2020-2025)

Table 98. Starship Entertainment Recent Developments

Table 99. Time Fengjun Entertainment Corporation Information

Table 100. Time Fengjun Entertainment Description and Major Businesses

Table 101. Time Fengjun Entertainment Product Features and Attributes

Table 102. Time Fengjun Entertainment Revenue (US$ Million) and Gross Margin (2020-2025)

Table 103. Time Fengjun Entertainment Recent Developments

Table 104. YH Entertainment Group Corporation Information

Table 105. YH Entertainment Group Description and Major Businesses

Table 106. YH Entertainment Group Product Features and Attributes

Table 107. YH Entertainment Group Revenue (US$ Million) and Gross Margin (2020-2025)

Table 108. YH Entertainment Group Recent Developments

Table 109. Wajijiwa Entertainment Corporation Information

Table 110. Wajijiwa Entertainment Description and Major Businesses

Table 111. Wajijiwa Entertainment Product Features and Attributes

Table 112. Wajijiwa Entertainment Revenue (US$ Million) and Gross Margin (2020-2025)

Table 113. Wajijiwa Entertainment Recent Developments

Table 114. Shanghai Star48 Culture Media Group Corporation Information

Table 115. Shanghai Star48 Culture Media Group Description and Major Businesses

Table 116. Shanghai Star48 Culture Media Group Product Features and Attributes

Table 117. Shanghai Star48 Culture Media Group Revenue (US$ Million) and Gross Margin (2020-2025)

Table 118. Shanghai Star48 Culture Media Group Recent Developments

Table 119. Shanghai Tianyu Media Corporation Information

Table 120. Shanghai Tianyu Media Description and Major Businesses

Table 121. Shanghai Tianyu Media Product Features and Attributes

Table 122. Shanghai Tianyu Media Revenue (US$ Million) and Gross Margin (2020-2025)

Table 123. Shanghai Tianyu Media Recent Developments

Table 124. Gramarie Entertainment Corporation Information

Table 125. Gramarie Entertainment Description and Major Businesses

Table 126. Gramarie Entertainment Product Features and Attributes

Table 127. Gramarie Entertainment Revenue (US$ Million) and Gross Margin (2020-2025)

Table 128. Gramarie Entertainment Recent Developments

Table 129. Raw Materials Key Suppliers

Table 130. Distributors List

Table 131. Market Trends and Market Evolution

Table 132. Market Drivers and Opportunities

Table 133. Market Challenges, Risks, and Restraints

Table 134. Research Programs/Design for This Report

Table 135. Key Data Information from Secondary Sources

Table 136. Key Data Information from Primary Sources

List of Figures

Figure 1. Entertainment Idol Agencies Product Picture

Figure 2. Global Entertainment Idol Agencies Market Size Growth Rate by Type, 2020 VS 2024 VS 2031 (US$ Million)

Figure 3. Selection Mode Product Picture

Figure 4. Training Mode Product Picture

Figure 5. Others Product Picture

Figure 6. Global Entertainment Idol Agencies Market Size Growth Rate by Application, 2020 VS 2024 VS 2031 (US$ Million)

Figure 7. Music

Figure 8. Film and TV

Figure 9. Activities and Performances

Figure 10. Others

Figure 11. Entertainment Idol Agencies Report Years Considered

Figure 12. Global Entertainment Idol Agencies Revenue, (US$ Million), 2020 VS 2024 VS 2031

Figure 13. Global Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 14. Global Entertainment Idol Agencies Revenue (CAGR) by Region: 2020 VS 2024 VS 2031 (US$ Million)

Figure 15. Global Entertainment Idol Agencies Revenue Market Share by Region (2020-2031)

Figure 16. Global Entertainment Idol Agencies Revenue Market Share Ranking (2024)

Figure 17. Tier Distribution by Revenue Contribution (2020 VS 2024)

Figure 18. Selection Mode Revenue Market Share by Player in 2024

Figure 19. Training Mode Revenue Market Share by Player in 2024

Figure 20. Others Revenue Market Share by Player in 2024

Figure 21. Global Entertainment Idol Agencies Revenue Market Share by Type (2020-2031)

Figure 22. Global Entertainment Idol Agencies Revenue Market Share by Application (2020-2031)

Figure 23. North America Entertainment Idol Agencies Revenue YoY (2020-2031) & (US$ Million)

Figure 24. North America Top 5 Players Entertainment Idol Agencies Revenue (US$ Million) in 2024

Figure 25. North America Entertainment Idol Agencies Revenue (US$ Million) by Type (2020 - 2031)

Figure 26. North America Entertainment Idol Agencies Revenue (US$ Million) by Application (2020-2031)

Figure 27. US Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 28. Canada Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 29. Mexico Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 30. Europe Entertainment Idol Agencies Revenue YoY (2020-2031) & (US$ Million)

Figure 31. Europe Top 5 Players Entertainment Idol Agencies Revenue (US$ Million) in 2024

Figure 32. Europe Entertainment Idol Agencies Revenue (US$ Million) by Type (2020-2031)

Figure 33. Europe Entertainment Idol Agencies Revenue (US$ Million) by Application (2020-2031)

Figure 34. Germany Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 35. France Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 36. U.K. Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 37. Italy Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 38. Russia Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 39. Asia-Pacific Entertainment Idol Agencies Revenue YoY (2020-2031) & (US$ Million)

Figure 40. Asia-Pacific Top 8 Players Entertainment Idol Agencies Revenue (US$ Million) in 2024

Figure 41. Asia-Pacific Entertainment Idol Agencies Revenue (US$ Million) by Type (2020-2031)

Figure 42. Asia-Pacific Entertainment Idol Agencies Revenue (US$ Million) by Application (2020-2031)

Figure 43. Indonesia Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 44. Japan Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 45. South Korea Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 46. Australia Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 47. India Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 48. Indonesia Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 49. Vietnam Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 50. Malaysia Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 51. Philippines Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 52. Singapore Entertainment Idol Agencies Revenue (2020-2031) & (US$ Million)

Figure 53. Central and South America Entertainment Idol Agencies Revenue YoY (2020-2031) & (US$ Million)

Figure 54. Central and South America Top 5 Players Entertainment Idol Agencies Revenue (US$ Million) in 2024

Figure 55. Central and South America Entertainment Idol Agencies Revenue (US$ Million) by Type (2020-2031)

Figure 56. Central and South America Entertainment Idol Agencies Revenue (US$ Million) by Application (2020-2031)

Figure 57. Brazil Entertainment Idol Agencies Revenue (2020-2025) & (US$ Million)

Figure 58. Argentina Entertainment Idol Agencies Revenue (2020-2025) & (US$ Million)

Figure 59. Middle East and Africa Entertainment Idol Agencies Revenue YoY (2020-2031) & (US$ Million)

Figure 60. Middle East and Africa Top 5 Players Entertainment Idol Agencies Revenue (US$ Million) in 2024

Figure 61. South America Entertainment Idol Agencies Revenue (US$ Million) by Type (2020-2031)

Figure 62. Middle East and Africa Entertainment Idol Agencies Revenue (US$ Million) by Application (2020-2031)

Figure 63. GCC Countries Entertainment Idol Agencies Revenue (2020-2025) & (US$ Million)

Figure 64. Israel Entertainment Idol Agencies Revenue (2020-2025) & (US$ Million)

Figure 65. Egypt Entertainment Idol Agencies Revenue (2020-2025) & (US$ Million)

Figure 66. South Africa Entertainment Idol Agencies Revenue (2020-2025) & (US$ Million)

Figure 67. Entertainment Idol Agencies Industry Chain Mapping

Figure 68. Channels of Distribution (Direct Vs Distribution)

Figure 69. Bottom-up and Top-down Approaches for This Report

Figure 70. Data Triangulation

Figure 71. Key Executives Interviewed

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