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Global Metaverse in Cultural Tourism Market Outlook, In‑Depth Analysis & Forecast to 2031
Published Date: November 2025
|
Report Code: QYRE-Auto-17J17287
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Global Metaverse in Cultural Tourism Market Research Report 2024
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Global Metaverse in Cultural Tourism Market Outlook, In‑Depth Analysis & Forecast to 2031

Code: QYRE-Auto-17J17287
Report
November 2025
Pages:120
QYResearch
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DESCRIPTION
TABLE OF CONTENT
TABLES & FIGURES
FEATURED COMPANIES
CyArk
China Cultural Media Group
ZAKER
New Direction Culture and Tourism Operation
TIMENETWORK
R-TRIP
Shengydt

Metaverse in Cultural Tourism Market

The global Metaverse in Cultural Tourism market is projected to grow from US$ million in 2024 to US$ million by 2031, at a CAGR of %(2025-2031), driven by critical product segments and diverse end‑use applications.
The concept of the metaverse in cultural tourism refers to utilizing virtual reality (VR), augmented reality (AR), and other immersive technologies to create digital replicas or experiences of real-world cultural destinations, landmarks, and heritage sites within a virtual environment. In this context, the metaverse allows users to explore and interact with these cultural sites virtually, offering an immersive and engaging experience without physically being present at the location. This can include virtual tours of historical monuments, museums, archaeological sites, art galleries, and cultural events.By leveraging the metaverse in cultural tourism, organizations and destinations can reach wider audiences, including those who may not have the opportunity to visit the physical locations due to various constraints such as distance, cost, or accessibility. It also offers new avenues for education, preservation, and promotion of cultural heritage, as well as innovative ways for cultural institutions to engage with visitors and enhance their overall experience.
From a downstream perspective, Tourist Attractions accounted for % of 2024 revenue, surging to US$ million by 2031 (CAGR: % from 2025–2031).
Metaverse in Cultural Tourism leading manufacturers including CyArk, China Cultural Media Group, ZAKER, New Direction Culture and Tourism Operation, TIMENETWORK, R-TRIP, Shengydt, etc., dominate supply; the top five capture approximately % of global revenue, with CyArk leading 2024 sales at US$ million.
Regional Outlook:
North America rose from US$ million in 2024 to a forecast US$ million by 2031 (CAGR %).
Asia‑Pacific will expand from US$ million to US$ million (CAGR  %), led by China (US$ million in 2024, % share rising to % by 2031), Japan (CAGR %), South Korea (CAGR %), and Southeast Asia (CAGR %).
Europe is set to grow from US$ million to US$ million (CAGR %), with Germany projected to hit US$ million by 2031 (CAGR %).

Report Includes:

This definitive report equips CEOs, marketing directors, and investors with a 360° view of the global Metaverse in Cultural Tourism market across value chain. It analyzes historical revenue data (2020–2024) and delivers forecasts through 2031, illuminating demand trends and growth drivers.
By segmenting the market by Type and by Application, the study quantifies market size, growth rates, niche opportunities, and substitution risks, and analyzes downstream customers distribution pattern.
Granular regional insights cover five major markets—North America, Europe, APAC, South America, and MEA—with in‑depth analysis of 20+ countries, detailing dominant products, competitive landscape, and downstream demand trends.
Critical competitive intelligence profiles players—revenue, margins, pricing strategies, and major customers—and dissects the top-player positioning across product lines, applications, and regions to reveal strategic strengths.
A concise Industry‑chain overview maps upstream, middlestream, and downstream distribution dynamics to identify strategic gaps and unmet demand.
Market Segmentation

Scope of Metaverse in Cultural Tourism Market Report

Report Metric Details
Report Name Metaverse in Cultural Tourism Market
Segment by Type
  • Platform
  • Solution
Segment by Application
  • Tourist Attractions
  • Casual Neighborhood
  • Cultural Museum Venues
  • Theme Park
  • Resort
  • Industrial Park
  • Others
Sales by Region
  • North America (United States, Canada)
  • Europe (Germany, France, UK, Italy, Russia) Rest of Europe
  • Nordic Countries
  • Asia-Pacific (China, Japan, South Korea)
  • Southeast Asia (India, Australia)
  • Rest of Asia
  • Latin America (Mexico, Brazil)
  • Rest of Latin America
  • Middle East & Africa (Turkey, Saudi Arabia, UAE, Rest of MEA)
By Company CyArk, China Cultural Media Group, ZAKER, New Direction Culture and Tourism Operation, TIMENETWORK, R-TRIP, Shengydt
Forecast units USD million in value
Report coverage Revenue and volume forecast, company share, competitive landscape, growth factors and trends

Chapter Outline

  • Chapter 1: Defines the Metaverse in Cultural Tourism study scope, segments the market by Type and by Application, etc, highlights segment size and growth potential.
  • Chapter 2: Offers current market state, projects global revenue and sales to 2031, pinpointing high consumption regions and emerging market catalysts
  • Chapter 3: Dissects the player landscape—ranks by revenue and profitability, details Player performance by product type and evaluates concentration alongside M&A moves.
  • Chapter 4: Unlocks high margin product segments—compares revenue, ASP, and technology differentiators, highlighting growth niches and substitution risks
  • Chapter 5: Targets downstream market opportunities—evaluates market size by Application, identifies emerging use cases, and profiles leading customers by region and by Application.
  • Chapter 6: North America—breaks down market size by Type, by Application and country, profiles key players and assesses growth drivers and barriers.
  • Chapter 7: Europe—analyses regional market by Type, by Application and players, flagging drivers and barriers.
  • Chapter 8: Asia Pacific—quantifies market size by Type, by Application, and region/country, profiles top players, and uncovers high potential expansion areas.
  • Chapter 9: Central & South America—measures market size by Type, by Application, and country, profiles top players, and identifies investment opportunities and challenges.
  • Chapter 10: Middle East and Africa—evaluates market size by Type, by Application, and country, profiles key players, and outlines investment prospects and market hurdles
  • Chapter 11: Profiles players in depth—details product specs, revenue, margins; Top-tier players 2024 sales breakdowns by Product type, by Application, by region SWOT analysis, and recent strategic developments.
  • Chapter 12: Industry chain—analyses upstream, cost drivers, plus downstream channels.
  • Chapter 13: Market dynamics—explores drivers, restraints, regulatory impacts, and risk mitigation strategies.
  • Chapter 14: Actionable conclusions and strategic recommendations.
  • Why This Report:
  • Beyond standard market data, this analysis provides a clear profitability roadmap—empowering you to:
  • Allocate capital strategically to high growth regions (Chapters 6–10) and margin rich segments (Chapter 5).
  • Negotiate from strength with suppliers (Chapter 12) and customers (Chapter 5) using cost and demand intelligence.
  • Outmaneuver competitors with granular insights into their operations, margins, and strategies (Chapters 3 and 11).
  • Capitalize on the projected billion‑dollar opportunity with data‑driven regional and segment tactics (Chapter 12-14).
  • Leverage this 360° intelligence to turn market complexity into actionable competitive advantage.

FAQ for this report

Who are the main players in the Metaverse in Cultural Tourism Market report?

Ans: The main players in the Metaverse in Cultural Tourism Market are CyArk, China Cultural Media Group, ZAKER, New Direction Culture and Tourism Operation, TIMENETWORK, R-TRIP, Shengydt

What are the Application segmentation covered in the Metaverse in Cultural Tourism Market report?

Ans: The Applications covered in the Metaverse in Cultural Tourism Market report are Tourist Attractions, Casual Neighborhood, Cultural Museum Venues, Theme Park, Resort, Industrial Park, Others

What are the Type segmentation covered in the Metaverse in Cultural Tourism Market report?

Ans: The Types covered in the Metaverse in Cultural Tourism Market report are Platform, Solution

1 Study Coverage
1.1 Introduction to Metaverse in Cultural Tourism: Definition, Properties, and Key Attributes
1.2 Market Segmentation by Type
1.2.1 Global Metaverse in Cultural Tourism Market Size by Type, 2020 VS 2024 VS 2031
1.2.2 Platform
1.2.3 Solution
1.3 Market Segmentation by Application
1.3.1 Global Metaverse in Cultural Tourism Market Size by Application, 2020 VS 2024 VS 2031
1.3.2 Tourist Attractions
1.3.3 Casual Neighborhood
1.3.4 Cultural Museum Venues
1.3.5 Theme Park
1.3.6 Resort
1.3.7 Industrial Park
1.3.8 Others
1.4 Assumptions and Limitations
1.5 Study Objectives
1.6 Years Considered
2 Executive Summary
2.1 Global Metaverse in Cultural Tourism Revenue Estimates and Forecasts 2020-2031
2.2 Global Metaverse in Cultural Tourism Revenue by Region
2.2.1 Revenue Comparison: 2020 VS 2024 VS 2031
2.2.2 Historical and Forecasted Revenue by Region (2020-2031)
2.2.3 Global Revenue Market Share by Region (2020-2031)
2.2.4 Emerging Market Focus: Growth Drivers & Investment Trends
3 Competition by Players
3.1 Global Metaverse in Cultural Tourism Player Revenue Rankings and Profitability
3.1.1 Global Revenue (Value) by Players (2020-2025)
3.1.2 Global Key Player Revenue Ranking (2023 vs. 2024)
3.1.3 Revenue-Based Tier Segmentation (Tier 1, Tier 2, and Tier 3)
3.1.4 Gross Margin by Top Player (2020 VS 2024)
3.2 Global Metaverse in Cultural Tourism Companies Headquarters and Service Footprint
3.3 Main Product Type Market Size by Players
3.3.1 Platform Market Size by Players
3.3.2 Solution Market Size by Players
3.4 Global Metaverse in Cultural Tourism Market Concentration and Dynamics
3.4.1 Global Market Concentration (CR5 and HHI)
3.4.2 Entrant/Exit Impact Analysis
3.4.3 Strategic Moves: M&A, Expansion, R&D Investment
4 Global Product Segmentation Analysis
4.1 Global Metaverse in Cultural Tourism Revenue Trends by Type
4.1.1 Global Historical and Forecasted Revenue by Type (2020-2031)
4.1.2 Global Revenue Market Share by Type (2020-2031)
4.2 Key Product Attributes and Differentiation
4.3 Subtype Dynamics: Growth Leaders, Profitability and Risk
4.3.1 High-Growth Niches and Adoption Drivers
4.3.2 Profitability Hotspots and Cost Drivers
4.3.3 Substitution Threats
5 Global Downstream Application Analysis
5.1 Global Metaverse in Cultural Tourism Revenue by Application
5.1.1 Global Historical and Forecasted Revenue by Application (2020-2031)
5.1.2 Revenue Market Share by Application (2020-2031)
5.1.3 High-Growth Application Identification
5.1.4 Emerging Application Case Studies
5.2 Downstream Customer Analysis
5.2.1 Top Customers by Region
5.2.2 Top Customers by Application
6 North America
6.1 North America Market Size (2020-2031)
6.2 North America Key Players Revenue in 2024
6.3 North America Metaverse in Cultural Tourism Market Size by Type (2020-2031)
6.4 North America Metaverse in Cultural Tourism Market Size by Application (2020-2031)
6.5 North America Growth Accelerators and Market Barriers
6.6 North America Metaverse in Cultural Tourism Market Size by Country
6.6.1 North America Revenue Trends by Country
6.6.2 US
6.6.3 Canada
6.6.4 Mexico
7 Europe
7.1 Europe Market Size (2020-2031)
7.2 Europe Key Players Revenue in 2024
7.3 Europe Metaverse in Cultural Tourism Market Size by Type (2020-2031)
7.4 Europe Metaverse in Cultural Tourism Market Size by Application (2020-2031)
7.5 Europe Growth Accelerators and Market Barriers
7.6 Europe Metaverse in Cultural Tourism Market Size by Country
7.6.1 Europe Revenue Trends by Country
7.6.2 Germany
7.6.3 France
7.6.4 U.K.
7.6.5 Italy
7.6.6 Russia
8 Asia-Pacific
8.1 Asia-Pacific Market Size (2020-2031)
8.2 Asia-Pacific Key Players Revenue in 2024
8.3 Asia-Pacific Metaverse in Cultural Tourism Market Size by Type (2020-2031)
8.4 Asia-Pacific Metaverse in Cultural Tourism Market Size by Application (2020-2031)
8.5 Asia-Pacific Growth Accelerators and Market Barriers
8.6 Asia-Pacific Metaverse in Cultural Tourism Market Size by Region
8.6.1 Asia-Pacific Revenue Trends by Region
8.7 China
8.8 Japan
8.9 South Korea
8.10 Australia
8.11 India
8.12 Southeast Asia
8.12.1 Indonesia
8.12.2 Vietnam
8.12.3 Malaysia
8.12.4 Philippines
8.12.5 Singapore
9 Central and South America
9.1 Central and South America Market Size (2020-2031)
9.2 Central and South America Key Players Revenue in 2024
9.3 Central and South America Metaverse in Cultural Tourism Market Size by Type (2020-2031)
9.4 Central and South America Metaverse in Cultural Tourism Market Size by Application (2020-2031)
9.5 Central and South America Investment Opportunities and Key Challenges
9.6 Central and South America Metaverse in Cultural Tourism Market Size by Country
9.6.1 Central and South America Revenue Trends by Country (2020 VS 2024 VS 2031)
9.6.2 Brazil
9.6.3 Argentina
10 Middle East and Africa
10.1 Middle East and Africa Market Size (2020-2031)
10.2 Middle East and Africa Key Players Revenue in 2024
10.3 Middle East and Africa Metaverse in Cultural Tourism Market Size by Type (2020-2031)
10.4 Middle East and Africa Metaverse in Cultural Tourism Market Size by Application (2020-2031)
10.5 Middle East and Africa Investment Opportunities and Key Challenges
10.6 Middle East and Africa Metaverse in Cultural Tourism Market Size by Country
10.6.1 Middle East and Africa Revenue Trends by Country (2020 VS 2024 VS 2031)
10.6.2 GCC Countries
10.6.3 Israel
10.6.4 Egypt
10.6.5 South Africa
11 Corporate Profile
11.1 CyArk
11.1.1 CyArk Corporation Information
11.1.2 CyArk Business Overview
11.1.3 CyArk Metaverse in Cultural Tourism Product Features and Attributes
11.1.4 CyArk Metaverse in Cultural Tourism Revenue and Gross Margin (2020-2025)
11.1.5 CyArk Metaverse in Cultural Tourism Revenue by Product in 2024
11.1.6 CyArk Metaverse in Cultural Tourism Revenue by Application in 2024
11.1.7 CyArk Metaverse in Cultural Tourism Revenue by Geographic Area in 2024
11.1.8 CyArk Metaverse in Cultural Tourism SWOT Analysis
11.1.9 CyArk Recent Developments
11.2 China Cultural Media Group
11.2.1 China Cultural Media Group Corporation Information
11.2.2 China Cultural Media Group Business Overview
11.2.3 China Cultural Media Group Metaverse in Cultural Tourism Product Features and Attributes
11.2.4 China Cultural Media Group Metaverse in Cultural Tourism Revenue and Gross Margin (2020-2025)
11.2.5 China Cultural Media Group Metaverse in Cultural Tourism Revenue by Product in 2024
11.2.6 China Cultural Media Group Metaverse in Cultural Tourism Revenue by Application in 2024
11.2.7 China Cultural Media Group Metaverse in Cultural Tourism Revenue by Geographic Area in 2024
11.2.8 China Cultural Media Group Metaverse in Cultural Tourism SWOT Analysis
11.2.9 China Cultural Media Group Recent Developments
11.3 ZAKER
11.3.1 ZAKER Corporation Information
11.3.2 ZAKER Business Overview
11.3.3 ZAKER Metaverse in Cultural Tourism Product Features and Attributes
11.3.4 ZAKER Metaverse in Cultural Tourism Revenue and Gross Margin (2020-2025)
11.3.5 ZAKER Metaverse in Cultural Tourism Revenue by Product in 2024
11.3.6 ZAKER Metaverse in Cultural Tourism Revenue by Application in 2024
11.3.7 ZAKER Metaverse in Cultural Tourism Revenue by Geographic Area in 2024
11.3.8 ZAKER Metaverse in Cultural Tourism SWOT Analysis
11.3.9 ZAKER Recent Developments
11.4 New Direction Culture and Tourism Operation
11.4.1 New Direction Culture and Tourism Operation Corporation Information
11.4.2 New Direction Culture and Tourism Operation Business Overview
11.4.3 New Direction Culture and Tourism Operation Metaverse in Cultural Tourism Product Features and Attributes
11.4.4 New Direction Culture and Tourism Operation Metaverse in Cultural Tourism Revenue and Gross Margin (2020-2025)
11.4.5 New Direction Culture and Tourism Operation Metaverse in Cultural Tourism Revenue by Product in 2024
11.4.6 New Direction Culture and Tourism Operation Metaverse in Cultural Tourism Revenue by Application in 2024
11.4.7 New Direction Culture and Tourism Operation Metaverse in Cultural Tourism Revenue by Geographic Area in 2024
11.4.8 New Direction Culture and Tourism Operation Metaverse in Cultural Tourism SWOT Analysis
11.4.9 New Direction Culture and Tourism Operation Recent Developments
11.5 TIMENETWORK
11.5.1 TIMENETWORK Corporation Information
11.5.2 TIMENETWORK Business Overview
11.5.3 TIMENETWORK Metaverse in Cultural Tourism Product Features and Attributes
11.5.4 TIMENETWORK Metaverse in Cultural Tourism Revenue and Gross Margin (2020-2025)
11.5.5 TIMENETWORK Metaverse in Cultural Tourism Revenue by Product in 2024
11.5.6 TIMENETWORK Metaverse in Cultural Tourism Revenue by Application in 2024
11.5.7 TIMENETWORK Metaverse in Cultural Tourism Revenue by Geographic Area in 2024
11.5.8 TIMENETWORK Metaverse in Cultural Tourism SWOT Analysis
11.5.9 TIMENETWORK Recent Developments
11.6 R-TRIP
11.6.1 R-TRIP Corporation Information
11.6.2 R-TRIP Business Overview
11.6.3 R-TRIP Metaverse in Cultural Tourism Product Features and Attributes
11.6.4 R-TRIP Metaverse in Cultural Tourism Revenue and Gross Margin (2020-2025)
11.6.5 R-TRIP Recent Developments
11.7 Shengydt
11.7.1 Shengydt Corporation Information
11.7.2 Shengydt Business Overview
11.7.3 Shengydt Metaverse in Cultural Tourism Product Features and Attributes
11.7.4 Shengydt Metaverse in Cultural Tourism Revenue and Gross Margin (2020-2025)
11.7.5 Shengydt Recent Developments
12 Metaverse in Cultural TourismIndustry Chain Analysis
12.1 Metaverse in Cultural Tourism Industry Chain
12.2 Upstream Analysis
12.2.1 Upstream Key Suppliers
12.3 Middlestream Analysis
12.4 Downstream Sales Model and Distribution Networks
12.4.1 Sales Channels
12.4.2 Distributors
13 Metaverse in Cultural Tourism Market Dynamics
13.1 Industry Trends and Evolution
13.2 Market Growth Drivers and Emerging Opportunities
13.3 Market Challenges, Risks, and Restraints
14 Key Findings in the Global Metaverse in Cultural Tourism Study
15 Appendix
15.1 Research Methodology
15.1.1 Methodology/Research Approach
15.1.1.1 Research Programs/Design
15.1.1.2 Market Size Estimation
15.1.1.3 Market Breakdown and Data Triangulation
15.1.2 Data Source
15.1.2.1 Secondary Sources
15.1.2.2 Primary Sources
15.2 Author Details
FEATURED COMPANIES
CyArk
China Cultural Media Group
ZAKER
New Direction Culture and Tourism Operation
TIMENETWORK
R-TRIP
Shengydt
List of Tables
 Table 1. Global Metaverse in Cultural Tourism Market Size Growth Rate by Type, 2020 VS 2024 VS 2031 (US$ Million)
 Table 2. Global Metaverse in Cultural Tourism Market Size Growth Rate by Application, 2020 VS 2024 VS 2031 (US$ Million)
 Table 3. Global Metaverse in Cultural Tourism Revenue Grow Rate (CAGR) by Region: 2020 VS 2024 VS 2031 (US$ Million)
 Table 4. Global Metaverse in Cultural Tourism Revenue by Region (2020-2025) & (US$ Million)
 Table 5. Global Metaverse in Cultural Tourism Revenue by Region (2026-2031) & (US$ Million)
 Table 6. Emerging Market Revenue Grow Rate (CAGR) by Country (2020 VS 2024 VS 2031) (US$ Million)
 Table 7. Global Metaverse in Cultural Tourism Revenue by Players (2020-2025) & (US$ Million)
 Table 8. Global Metaverse in Cultural Tourism Revenue Market Share by Players (2020-2025)
 Table 9. Global Key Players’Ranking Shift (2023 vs. 2024) (Based on Revenue)
 Table 10. Global Metaverse in Cultural Tourism by Player Tier (Tier 1, Tier 2, and Tier 3) & (based on the Revenue in Metaverse in Cultural Tourism as of 2024)
 Table 11. Global Metaverse in Cultural Tourism Average Gross Margin (%) by Player (2020 VS 2024)
 Table 12. Global Metaverse in Cultural Tourism Companies Headquarters
 Table 13. Global Metaverse in Cultural Tourism Market Concentration Ratio (CR5 and HHI)
 Table 14. Key Market Entrant/Exit (2020-2024) – Drivers & Impact Analysis
 Table 15. Key Mergers & Acquisitions, Expansion Plans, R&D Investment
 Table 16. Global Metaverse in Cultural Tourism Revenue by Type (2020-2025) & (US$ Million)
 Table 17. Global Metaverse in Cultural Tourism Revenue by Type (2026-2031) & (US$ Million)
 Table 18. Key Product Attributes and Differentiation
 Table 19. Global Metaverse in Cultural Tourism Revenue by Application (2020-2025) & (US$ Million)
 Table 20. Global Metaverse in Cultural Tourism Revenue by Application (2026-2031) & (US$ Million)
 Table 21. Metaverse in Cultural Tourism High-Growth Sectors Demand CAGR (2024-2031)
 Table 22. Top Customers by Region
 Table 23. Top Customers by Application
 Table 24. North America Metaverse in Cultural Tourism Growth Accelerators and Market Barriers
 Table 25. North America Metaverse in Cultural Tourism Revenue Grow Rate (CAGR) by Country (2020 VS 2024 VS 2031) (US$ Million)
 Table 26. Europe Metaverse in Cultural Tourism Growth Accelerators and Market Barriers
 Table 27. Europe Metaverse in Cultural Tourism Revenue Grow Rate (CAGR) by Country: 2020 VS 2024 VS 2031 (US$ Million)
 Table 28. Asia-Pacific Metaverse in Cultural Tourism Growth Accelerators and Market Barriers
 Table 29. Asia-Pacific Metaverse in Cultural Tourism Revenue Grow Rate (CAGR) by Region: 2020 VS 2024 VS 2031 (US$ Million)
 Table 30. Central and South America Metaverse in Cultural Tourism Investment Opportunities and Key Challenges
 Table 31. Central and South America Metaverse in Cultural Tourism Revenue Grow Rate (CAGR) by Country (2020 VS 2024 VS 2031) (US$ Million)
 Table 32. Middle East and Africa Metaverse in Cultural Tourism Investment Opportunities and Key Challenges
 Table 33. Middle East and Africa Metaverse in Cultural Tourism Revenue Grow Rate (CAGR) by Country (2020 VS 2024 VS 2031) (US$ Million)
 Table 34. CyArk Corporation Information
 Table 35. CyArk Description and Major Businesses
 Table 36. CyArk Product Features and Attributes
 Table 37. CyArk Revenue (US$ Million) and Gross Margin (2020-2025)
 Table 38. CyArk Revenue Proportion by Product in 2024
 Table 39. CyArk Revenue Proportion by Application in 2024
 Table 40. CyArk Revenue Proportion by Geographic Area in 2024
 Table 41. CyArk Metaverse in Cultural Tourism SWOT Analysis
 Table 42. CyArk Recent Developments
 Table 43. China Cultural Media Group Corporation Information
 Table 44. China Cultural Media Group Description and Major Businesses
 Table 45. China Cultural Media Group Product Features and Attributes
 Table 46. China Cultural Media Group Revenue (US$ Million) and Gross Margin (2020-2025)
 Table 47. China Cultural Media Group Revenue Proportion by Product in 2024
 Table 48. China Cultural Media Group Revenue Proportion by Application in 2024
 Table 49. China Cultural Media Group Revenue Proportion by Geographic Area in 2024
 Table 50. China Cultural Media Group Metaverse in Cultural Tourism SWOT Analysis
 Table 51. China Cultural Media Group Recent Developments
 Table 52. ZAKER Corporation Information
 Table 53. ZAKER Description and Major Businesses
 Table 54. ZAKER Product Features and Attributes
 Table 55. ZAKER Revenue (US$ Million) and Gross Margin (2020-2025)
 Table 56. ZAKER Revenue Proportion by Product in 2024
 Table 57. ZAKER Revenue Proportion by Application in 2024
 Table 58. ZAKER Revenue Proportion by Geographic Area in 2024
 Table 59. ZAKER Metaverse in Cultural Tourism SWOT Analysis
 Table 60. ZAKER Recent Developments
 Table 61. New Direction Culture and Tourism Operation Corporation Information
 Table 62. New Direction Culture and Tourism Operation Description and Major Businesses
 Table 63. New Direction Culture and Tourism Operation Product Features and Attributes
 Table 64. New Direction Culture and Tourism Operation Revenue (US$ Million) and Gross Margin (2020-2025)
 Table 65. New Direction Culture and Tourism Operation Revenue Proportion by Product in 2024
 Table 66. New Direction Culture and Tourism Operation Revenue Proportion by Application in 2024
 Table 67. New Direction Culture and Tourism Operation Revenue Proportion by Geographic Area in 2024
 Table 68. New Direction Culture and Tourism Operation Metaverse in Cultural Tourism SWOT Analysis
 Table 69. New Direction Culture and Tourism Operation Recent Developments
 Table 70. TIMENETWORK Corporation Information
 Table 71. TIMENETWORK Description and Major Businesses
 Table 72. TIMENETWORK Product Features and Attributes
 Table 73. TIMENETWORK Revenue (US$ Million) and Gross Margin (2020-2025)
 Table 74. TIMENETWORK Revenue Proportion by Product in 2024
 Table 75. TIMENETWORK Revenue Proportion by Application in 2024
 Table 76. TIMENETWORK Revenue Proportion by Geographic Area in 2024
 Table 77. TIMENETWORK Metaverse in Cultural Tourism SWOT Analysis
 Table 78. TIMENETWORK Recent Developments
 Table 79. R-TRIP Corporation Information
 Table 80. R-TRIP Description and Major Businesses
 Table 81. R-TRIP Product Features and Attributes
 Table 82. R-TRIP Revenue (US$ Million) and Gross Margin (2020-2025)
 Table 83. R-TRIP Recent Developments
 Table 84. Shengydt Corporation Information
 Table 85. Shengydt Description and Major Businesses
 Table 86. Shengydt Product Features and Attributes
 Table 87. Shengydt Revenue (US$ Million) and Gross Margin (2020-2025)
 Table 88. Shengydt Recent Developments
 Table 89. Raw Materials Key Suppliers
 Table 90. Distributors List
 Table 91. Market Trends and Market Evolution
 Table 92. Market Drivers and Opportunities
 Table 93. Market Challenges, Risks, and Restraints
 Table 94. Research Programs/Design for This Report
 Table 95. Key Data Information from Secondary Sources
 Table 96. Key Data Information from Primary Sources


List of Figures
 Figure 1. Metaverse in Cultural Tourism Product Picture
 Figure 2. Global Metaverse in Cultural Tourism Market Size Growth Rate by Type, 2020 VS 2024 VS 2031 (US$ Million)
 Figure 3. Platform Product Picture
 Figure 4. Solution Product Picture
 Figure 5. Global Metaverse in Cultural Tourism Market Size Growth Rate by Application, 2020 VS 2024 VS 2031 (US$ Million)
 Figure 6. Tourist Attractions
 Figure 7. Casual Neighborhood
 Figure 8. Cultural Museum Venues
 Figure 9. Theme Park
 Figure 10. Resort
 Figure 11. Industrial Park
 Figure 12. Others
 Figure 13. Metaverse in Cultural Tourism Report Years Considered
 Figure 14. Global Metaverse in Cultural Tourism Revenue, (US$ Million), 2020 VS 2024 VS 2031
 Figure 15. Global Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 16. Global Metaverse in Cultural Tourism Revenue (CAGR) by Region: 2020 VS 2024 VS 2031 (US$ Million)
 Figure 17. Global Metaverse in Cultural Tourism Revenue Market Share by Region (2020-2031)
 Figure 18. Global Metaverse in Cultural Tourism Revenue Market Share Ranking (2024)
 Figure 19. Tier Distribution by Revenue Contribution (2020 VS 2024)
 Figure 20. Platform Revenue Market Share by Player in 2024
 Figure 21. Solution Revenue Market Share by Player in 2024
 Figure 22. Global Metaverse in Cultural Tourism Revenue Market Share by Type (2020-2031)
 Figure 23. Global Metaverse in Cultural Tourism Revenue Market Share by Application (2020-2031)
 Figure 24. North America Metaverse in Cultural Tourism Revenue YoY (2020-2031) & (US$ Million)
 Figure 25. North America Top 5 Players Metaverse in Cultural Tourism Revenue (US$ Million) in 2024
 Figure 26. North America Metaverse in Cultural Tourism Revenue (US$ Million) by Type (2020 - 2031)
 Figure 27. North America Metaverse in Cultural Tourism Revenue (US$ Million) by Application (2020-2031)
 Figure 28. US Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 29. Canada Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 30. Mexico Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 31. Europe Metaverse in Cultural Tourism Revenue YoY (2020-2031) & (US$ Million)
 Figure 32. Europe Top 5 Players Metaverse in Cultural Tourism Revenue (US$ Million) in 2024
 Figure 33. Europe Metaverse in Cultural Tourism Revenue (US$ Million) by Type (2020-2031)
 Figure 34. Europe Metaverse in Cultural Tourism Revenue (US$ Million) by Application (2020-2031)
 Figure 35. Germany Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 36. France Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 37. U.K. Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 38. Italy Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 39. Russia Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 40. Asia-Pacific Metaverse in Cultural Tourism Revenue YoY (2020-2031) & (US$ Million)
 Figure 41. Asia-Pacific Top 8 Players Metaverse in Cultural Tourism Revenue (US$ Million) in 2024
 Figure 42. Asia-Pacific Metaverse in Cultural Tourism Revenue (US$ Million) by Type (2020-2031)
 Figure 43. Asia-Pacific Metaverse in Cultural Tourism Revenue (US$ Million) by Application (2020-2031)
 Figure 44. Indonesia Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 45. Japan Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 46. South Korea Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 47. Australia Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 48. India Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 49. Indonesia Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 50. Vietnam Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 51. Malaysia Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 52. Philippines Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 53. Singapore Metaverse in Cultural Tourism Revenue (2020-2031) & (US$ Million)
 Figure 54. Central and South America Metaverse in Cultural Tourism Revenue YoY (2020-2031) & (US$ Million)
 Figure 55. Central and South America Top 5 Players Metaverse in Cultural Tourism Revenue (US$ Million) in 2024
 Figure 56. Central and South America Metaverse in Cultural Tourism Revenue (US$ Million) by Type (2020-2031)
 Figure 57. Central and South America Metaverse in Cultural Tourism Revenue (US$ Million) by Application (2020-2031)
 Figure 58. Brazil Metaverse in Cultural Tourism Revenue (2020-2025) & (US$ Million)
 Figure 59. Argentina Metaverse in Cultural Tourism Revenue (2020-2025) & (US$ Million)
 Figure 60. Middle East and Africa Metaverse in Cultural Tourism Revenue YoY (2020-2031) & (US$ Million)
 Figure 61. Middle East and Africa Top 5 Players Metaverse in Cultural Tourism Revenue (US$ Million) in 2024
 Figure 62. South America Metaverse in Cultural Tourism Revenue (US$ Million) by Type (2020-2031)
 Figure 63. Middle East and Africa Metaverse in Cultural Tourism Revenue (US$ Million) by Application (2020-2031)
 Figure 64. GCC Countries Metaverse in Cultural Tourism Revenue (2020-2025) & (US$ Million)
 Figure 65. Israel Metaverse in Cultural Tourism Revenue (2020-2025) & (US$ Million)
 Figure 66. Egypt Metaverse in Cultural Tourism Revenue (2020-2025) & (US$ Million)
 Figure 67. South Africa Metaverse in Cultural Tourism Revenue (2020-2025) & (US$ Million)
 Figure 68. Metaverse in Cultural Tourism Industry Chain Mapping
 Figure 69. Channels of Distribution (Direct Vs Distribution)
 Figure 70. Bottom-up and Top-down Approaches for This Report
 Figure 71. Data Triangulation
 Figure 72. Key Executives Interviewed
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